杰森-雷斯尼克夫(Jason Resnikoff)著的《劳动的终结:自动化的承诺如何使工作退化》(评论

IF 0.8 3区 哲学 Q2 HISTORY & PHILOSOPHY OF SCIENCE Technology and Culture Pub Date : 2024-05-09 DOI:10.1353/tech.2024.a926336
Andrew L. Russell
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Historians of technology will appreciate Jason Resnikoff's starting point, which is that automation was not merely a dispassionate description of engineering and industrial practice; rather, it was the site of ideological conflict, a confluence of technology, business, politics, and labor at a time of American ascendance.</p> <p>The book builds from a provocative assertion: Americans believed automation would drive industrial progress, ultimately leading to the full-scale abolition of human labor. Resnikoff emphasizes that automation was seen widely as the harbinger of utopian outcomes, including the elimination of human oppression, a new era of leisure, and the resolution of the conflict between capital and labor. But it was never robust or stable enough to carry <strong>[End Page 707]</strong> this world-historical burden and did not, in fact, liberate workers or substitute freedom and leisure for labor. Rather, Resnikoff argues, automation doubled down on Taylorism, sped up industrial work, and undermined worker autonomy and well-being.</p> <p>Readers will not have to guess about the moral commitments of the author, who on the first page of the book expresses gratitude for the lessons he learned as an organizer for the UAW. Accordingly, there is little surprise that the villains of <em>Labor's End</em> include capitalist managers and technocrats, as well as science fiction authors, intellectuals of the New Left, and leaders of organized labor who, seduced by the promises of liberation via automation, too easily surrendered their leverage to control the means of production. Resnikoff displays no interest in or sympathy for, say, the dilemmas faced by Chandlerian managers fighting gales of creative destruction.</p> <p>The first five chapters in <em>Labor's End</em> investigate the early history of automation in the postwar automobile and computing industries, as well as the discursive contests around automation among intellectuals (including science fiction writers), federal policymakers, and the New Left. The latter chapters deal with automation and domestic work, and the compelling movement for the \"humanization\" of industrial work in the early 1970s. A brief conclusion skips ahead to our twenty-first-century world of Amazon's style of automation, continued labor degradation, and the irritating tendency for popular discourse to be drawn to imaginary future scenarios, instead of attending to injustices occurring here and now. Resnikoff draws from a rich and diverse set of archival collections and engages sensibly with the sprawling secondary literatures that pertain to his subject. Readers encounter a narrative that is structured well and easy to read, featuring a fascinating set of characters from Andy Warhol and Arthur C. Clarke to John Diebold and John F. Kennedy.</p> <p>Resnikoff succeeds in fortifying connections between labor history, political history, and the history of technology. Automation is a subject that is too important to leave to any one subfield of historical inquiry, and Resnikoff should be commended for recognizing this fact and writing a book that will find its way onto a variety of seminar syllabi and comprehensive reading lists. Since the book is situated at the level of discourse, readers should not expect to find empirical data about industry adoption of tools or economists puzzling about how to measure productivity gains. 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Historians of technology will appreciate Jason Resnikoff's starting point, which is that automation was not merely a dispassionate description of engineering and industrial practice; rather, it was the site of ideological conflict, a confluence of technology, business, politics, and labor at a time of American ascendance.</p> <p>The book builds from a provocative assertion: Americans believed automation would drive industrial progress, ultimately leading to the full-scale abolition of human labor. Resnikoff emphasizes that automation was seen widely as the harbinger of utopian outcomes, including the elimination of human oppression, a new era of leisure, and the resolution of the conflict between capital and labor. But it was never robust or stable enough to carry <strong>[End Page 707]</strong> this world-historical burden and did not, in fact, liberate workers or substitute freedom and leisure for labor. 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Resnikoff draws from a rich and diverse set of archival collections and engages sensibly with the sprawling secondary literatures that pertain to his subject. Readers encounter a narrative that is structured well and easy to read, featuring a fascinating set of characters from Andy Warhol and Arthur C. Clarke to John Diebold and John F. Kennedy.</p> <p>Resnikoff succeeds in fortifying connections between labor history, political history, and the history of technology. Automation is a subject that is too important to leave to any one subfield of historical inquiry, and Resnikoff should be commended for recognizing this fact and writing a book that will find its way onto a variety of seminar syllabi and comprehensive reading lists. Since the book is situated at the level of discourse, readers should not expect to find empirical data about industry adoption of tools or economists puzzling about how to measure productivity gains. 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引用次数: 0

摘要

评论者 Labor's End: How the Promise of Automation Degraded Work by Jason Resnikoff Andrew L. Russell (bio) Labor's End: How the Promise of Automation Degraded Work By Jason Resnikoff.Champaign:伊利诺伊大学出版社,2022 年。第 272 页。劳动的终结》描绘了自动化概念在美国被各种利益集团接受和争论的成长岁月。美国人,包括技术专家、管理人员、政治家、知识分子和有组织的劳工,都将自动化作为他们定义工业工作的意义和未来的更广泛努力的一部分。技术史学家会欣赏杰森-雷斯尼克夫的出发点,即自动化不仅仅是对工程和工业实践的冷静描述;相反,它是意识形态冲突的场所,是美国崛起时期技术、商业、政治和劳工的交汇点。本书从一个具有启发性的论断出发:美国人相信自动化将推动工业进步,最终导致全面废除人类劳动。雷斯尼克夫强调,人们普遍认为自动化预示着乌托邦式的结果,包括消除人类压迫、进入休闲新时代以及解决资本与劳动力之间的冲突。但是,自动化从未强大或稳定到足以承载 [完......] 这一世界历史重任,事实上也没有解放工人或用自由和休闲取代劳动。相反,雷斯尼克夫认为,自动化加倍了泰勒主义,加快了工业生产,损害了工人的自主性和福祉。读者不必猜测作者的道德承诺,他在书的第一页就表达了对作为 UAW 组织者所学到的经验教训的感激之情。因此,《劳工的末日》中的恶棍包括资本家经理和技术官僚、科幻小说作家、新左派知识分子以及有组织劳工的领袖,他们被自动化解放的承诺所诱惑,轻易放弃了控制生产资料的影响力,这一点并不令人惊讶。雷斯尼克夫对钱德勒式的管理者在与创造性破坏的狂风搏斗时所面临的困境不感兴趣,也不表示同情。劳动的终结》前五章研究了战后汽车和计算机行业自动化的早期历史,以及知识分子(包括科幻小说家)、联邦政策制定者和新左派围绕自动化展开的论战。后几章涉及自动化与家务劳动,以及 20 世纪 70 年代初引人注目的工业劳动 "人性化 "运动。简短的结论将我们带入了二十一世纪的世界:亚马逊式的自动化、持续的劳动力退化,以及令人恼火的大众讨论倾向于想象未来的情景,而不是关注此时此地发生的不公正现象。雷斯尼克夫从丰富多样的档案资料中汲取素材,理智地处理与其主题相关的大量二手文献。读者会看到一个结构合理、易于阅读的叙事,书中有一系列引人入胜的人物,从安迪-沃霍尔(Andy Warhol)和阿瑟-克拉克(Arthur C. Clarke)到约翰-迪伯德(John Diebold)和约翰-肯尼迪(John F. Kennedy)。雷斯尼克夫成功地加强了劳动史、政治史和技术史之间的联系。自动化是一个非常重要的课题,任何一个历史研究子领域都不能将其割裂开来,雷斯尼克夫认识到了这一事实,并撰写了这本书,它将被列入各种研讨会的教学大纲和综合阅读书目,这一点值得称赞。由于该书立足于论述层面,读者不应期望找到有关行业采用工具的经验数据,或经济学家困惑于如何衡量生产率的提高。除了历史学家,《劳动的终结》还将吸引那些对流行语和炒作持怀疑态度的普通读者。它不仅仅是一部细致入微的战后美国史,更是一个关于技术和权力的警世故事,提醒人们持续抵抗资本代理人的困难。[安德鲁-L-拉塞尔(Andrew L. Russell) 安德鲁-L-拉塞尔(Andrew L. Russell)是纽约州立大学理工学院的历史学教授,曾在该学院担任过多种行政职务。他是《创新妄想》一书的合著者:我们对新事物的痴迷如何扰乱了工作......
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Labor's End: How the Promise of Automation Degraded Work by Jason Resnikoff (review)

Reviewed by:

  • Labor's End: How the Promise of Automation Degraded Work by Jason Resnikoff
  • Andrew L. Russell (bio)
Labor's End: How the Promise of Automation Degraded Work By Jason Resnikoff. Champaign: University of Illinois Press, 2022. Pp. 272.

Labor's End charts the formative years of automation as the concept was embraced and debated across a variety of interest groups in the United States. Americans—including technologists, executives, politicians, intellectuals, and organized labor—latched onto it as part of their broader efforts to define the meaning and future of industrial work. Historians of technology will appreciate Jason Resnikoff's starting point, which is that automation was not merely a dispassionate description of engineering and industrial practice; rather, it was the site of ideological conflict, a confluence of technology, business, politics, and labor at a time of American ascendance.

The book builds from a provocative assertion: Americans believed automation would drive industrial progress, ultimately leading to the full-scale abolition of human labor. Resnikoff emphasizes that automation was seen widely as the harbinger of utopian outcomes, including the elimination of human oppression, a new era of leisure, and the resolution of the conflict between capital and labor. But it was never robust or stable enough to carry [End Page 707] this world-historical burden and did not, in fact, liberate workers or substitute freedom and leisure for labor. Rather, Resnikoff argues, automation doubled down on Taylorism, sped up industrial work, and undermined worker autonomy and well-being.

Readers will not have to guess about the moral commitments of the author, who on the first page of the book expresses gratitude for the lessons he learned as an organizer for the UAW. Accordingly, there is little surprise that the villains of Labor's End include capitalist managers and technocrats, as well as science fiction authors, intellectuals of the New Left, and leaders of organized labor who, seduced by the promises of liberation via automation, too easily surrendered their leverage to control the means of production. Resnikoff displays no interest in or sympathy for, say, the dilemmas faced by Chandlerian managers fighting gales of creative destruction.

The first five chapters in Labor's End investigate the early history of automation in the postwar automobile and computing industries, as well as the discursive contests around automation among intellectuals (including science fiction writers), federal policymakers, and the New Left. The latter chapters deal with automation and domestic work, and the compelling movement for the "humanization" of industrial work in the early 1970s. A brief conclusion skips ahead to our twenty-first-century world of Amazon's style of automation, continued labor degradation, and the irritating tendency for popular discourse to be drawn to imaginary future scenarios, instead of attending to injustices occurring here and now. Resnikoff draws from a rich and diverse set of archival collections and engages sensibly with the sprawling secondary literatures that pertain to his subject. Readers encounter a narrative that is structured well and easy to read, featuring a fascinating set of characters from Andy Warhol and Arthur C. Clarke to John Diebold and John F. Kennedy.

Resnikoff succeeds in fortifying connections between labor history, political history, and the history of technology. Automation is a subject that is too important to leave to any one subfield of historical inquiry, and Resnikoff should be commended for recognizing this fact and writing a book that will find its way onto a variety of seminar syllabi and comprehensive reading lists. Since the book is situated at the level of discourse, readers should not expect to find empirical data about industry adoption of tools or economists puzzling about how to measure productivity gains. Beyond historians, Labor's End also will appeal to general skeptics of buzzwords and hype. More than a nuanced history of postwar America, it is a cautionary tale about technology and power, and a reminder of the difficulties of sustained resistance against the agents of capital. [End Page 708]

Andrew L. Russell

Andrew L. Russell is professor of history at SUNY Polytechnic Institute, where he has served in a variety of administrative roles. He is coauthor of The Innovation Delusion: How Our Obsession with the New Has Disrupted the Work...

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来源期刊
Technology and Culture
Technology and Culture 社会科学-科学史与科学哲学
CiteScore
0.60
自引率
14.30%
发文量
225
审稿时长
>12 weeks
期刊介绍: Technology and Culture, the preeminent journal of the history of technology, draws on scholarship in diverse disciplines to publish insightful pieces intended for general readers as well as specialists. Subscribers include scientists, engineers, anthropologists, sociologists, economists, museum curators, archivists, scholars, librarians, educators, historians, and many others. In addition to scholarly essays, each issue features 30-40 book reviews and reviews of new museum exhibitions. To illuminate important debates and draw attention to specific topics, the journal occasionally publishes thematic issues. Technology and Culture is the official journal of the Society for the History of Technology (SHOT).
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