{"title":"英国乔治时代讽刺版画中的多重性","authors":"Natalia Giza","doi":"10.26913/ava3202403","DOIUrl":null,"url":null,"abstract":"The article discusses the concept of multisensuality in the satirical prints of the Georgian era in England, focusing on how the sensory perception enhances the visual humor. Drawing upon historical and cultural contexts, this study investigates how English caricaturists employed various sensory elements, such as sight, sound, smell, taste and touch to convey satire and provoke emotional responses among viewers. Ten satirical prints by five different authors were chosen for the analysis.","PeriodicalId":43453,"journal":{"name":"Avant","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2024-05-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Multisensuality in the Satirical Prints of the Georgian Era in England\",\"authors\":\"Natalia Giza\",\"doi\":\"10.26913/ava3202403\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article discusses the concept of multisensuality in the satirical prints of the Georgian era in England, focusing on how the sensory perception enhances the visual humor. Drawing upon historical and cultural contexts, this study investigates how English caricaturists employed various sensory elements, such as sight, sound, smell, taste and touch to convey satire and provoke emotional responses among viewers. Ten satirical prints by five different authors were chosen for the analysis.\",\"PeriodicalId\":43453,\"journal\":{\"name\":\"Avant\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2024-05-18\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Avant\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.26913/ava3202403\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Avant","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.26913/ava3202403","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Multisensuality in the Satirical Prints of the Georgian Era in England
The article discusses the concept of multisensuality in the satirical prints of the Georgian era in England, focusing on how the sensory perception enhances the visual humor. Drawing upon historical and cultural contexts, this study investigates how English caricaturists employed various sensory elements, such as sight, sound, smell, taste and touch to convey satire and provoke emotional responses among viewers. Ten satirical prints by five different authors were chosen for the analysis.
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