从多模态隐喻概念混合理论的角度研究北京师范大学高中英语教材中的中国文化

Siyu Long
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引用次数: 0

摘要

20 世纪末,以弗莱斯维尔为代表的学者潜心研究隐喻运用各种方式的建构和表征,引领了隐喻研究向多模态的转变,多模态隐喻研究也随之成为焦点。英语教科书作为视觉和语言表达方式的结合体,包含了大量的隐喻。本文从概念融合理论的视角出发,探讨了北京师范大学出版社的三本高中英语必修教材中中国文化多模态隐喻的建构及其意义。研究发现,北京师范大学出版社的这三本高中英语必修教材中含有大量的中国文化多模态隐喻,这些多模态隐喻能够激活学生的文化背景知识,传达图片的交际意图,从而激发学生对中国文化的兴趣,培养学生的文化自信。
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A Study on Chinese Culture in High School English Textbooks of BNUP from the Perspective of Conceptual Blending Theory for Multimodal Metaphors
At the end of the 20th century, scholars represented by Forceville dived into the construction and representation of metaphors using various modalities, leading the shift of metaphor studies towards multimodality, which consequently put the study of multimodal metaphors in the spotlight. English textbooks, as a combination of visual and linguistic modes of expression, contain a large number of metaphors. From the perspective of conceptual blending theory, the paper explores the construction and meaning of multimodal metaphors of Chinese culture in three compulsory high school English textbooks of Beijing Normal University Press. It is found that these three compulsory high school English textbooks of Beijing Normal University Press (BNUP) contain many multimodal metaphors of Chinese culture, and these multimodal metaphors can activate student’s cultural background knowledge and convey the communicative intention of the pictures, thus arousing students’ interest in Chinese culture and fostering cultural confidence.
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