爱与损失的信物:插入在线博物馆空间的情感纠葛,在伦敦铸造博物馆、佛罗伦萨因诺琴蒂博物馆、堪培拉澳大利亚国家博物馆展出爱与失去的信物

IF 1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Curator: The Museum Journal Pub Date : 2024-05-01 DOI:10.1111/cura.12623
Jennifer Clark, Adele Nye
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引用次数: 0

摘要

博物馆空间在不断发展,毫不奇怪,我们看到数字化记录和在线展览都在显著快速扩展,尤其是自 2020-2023 年 COVID-19 大流行以来。在这篇文章中,我们研究了伦敦弃婴博物馆、佛罗伦萨因诺琴蒂博物馆和堪培拉澳大利亚国家博物馆收藏的三件具有可比性的爱与遗失信物。我们以参观者研究者的身份,采用案例研究的方法,探索后定性理论是如何论述博物馆在物理和虚拟空间中的情感体验的。我们要问的是,在线游客体验是否可以注入情感可能性,如果可以,如何最大限度地支持、复制或取代亲身博物馆体验。
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Tokens of love and loss: Plugging into the affective entanglements of online museum spaces exhibiting tokens of love and loss at the Foundling Museum, London; Museo degli Innocenti, Florence; National Museum of Australia, Canberra
The museum space is continually evolving and, not surprisingly, we have seen significant and rapid expansion in both digitized records and online exhibitions, especially since the COVID‐19 pandemic of 2020–2023. In this article we examine three comparable museum collections of tokens of love and loss in the Foundling Museum in London, the Museo degli Innocenti in Florence, and the National Museum of Australia in Canberra. Using a case study approach as visitor‐researchers, we explore how post‐qualitative theories speak to the affective experience of museums in the physical and the virtual space. We ask if the online visitor experience can be imbued with affective possibilities and, if so, how might they be maximized to best support, replicate, or replace an in‐person museum experience.
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来源期刊
Curator: The Museum Journal
Curator: The Museum Journal HUMANITIES, MULTIDISCIPLINARY-
CiteScore
1.70
自引率
10.00%
发文量
63
期刊最新文献
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