非洲-帕拉多克斯:巴西非洲卡波耶拉舞中的侨民沙文主义和文化专长

Celina de Sá
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摘要

越来越多的巴西卡波耶拉--一种非洲裔巴西人的格斗游戏--专家前往非洲城市,想象回到卡波耶拉的发源地,并培训非洲学生。我将重点放在阿比让的一个文化节上,通过专业技能和种族分析的人类学视角来分析西非各地的卡波耶拉文化交流活动。在这些交流活动中,西非卡波耶拉学生展示了巴西的民族主义,同时也揭示了西非人的创造性努力,如用非洲语言创作新的卡波耶拉歌曲。我展示了散居国外者保护 "非洲 "文化形式的立场如何具有讽刺意味地让位于对非洲大陆人创造性工作的监管,而非洲大陆人是卡波耶拉在当代的最新招募对象。我通过 "散居沙文主义"(diasporic chauvinism)这一概念来审视黑人表演世界中普遍存在的种族等级制度,从而论证散居回归会使非洲人及其创新边缘化。
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The Afro-Paradox: Diasporic Chauvinism and Cultural Expertise in Afro-Brazilian Capoeira
Increasingly, Brazilian experts of capoeira—an Afro-Brazilian combat game—travel to African cities for an imagined return to the sites of capoeira's origins, as well as to train African students. Focusing on a cultural festival in Abidjan, I analyze capoeira cultural exchange events across West Africa through the anthropological lenses of expertise and racial analysis. These exchanges feature displays of Brazilian nationalism embodied by West African capoeira students, while they also reveal West Africans’ creative endeavors, such as constructing new capoeira songs in African languages. I demonstrate how the diasporic position to protect “Afro” cultural forms ironically gives way to policing creative work by continental Africans, capoeira's most recent recruits in the contemporary moment. I examine the racial hierarchies that proliferate within Black performance worlds through my concept of diasporic chauvinism to argue that diasporic returns can marginalize Africans and their innovations.
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