{"title":"非洲-帕拉多克斯:巴西非洲卡波耶拉舞中的侨民沙文主义和文化专长","authors":"Celina de Sá","doi":"10.3138/diaspora.24.1.2024.01.02","DOIUrl":null,"url":null,"abstract":"Increasingly, Brazilian experts of capoeira—an Afro-Brazilian combat game—travel to African cities for an imagined return to the sites of capoeira's origins, as well as to train African students. Focusing on a cultural festival in Abidjan, I analyze capoeira cultural exchange events across West Africa through the anthropological lenses of expertise and racial analysis. These exchanges feature displays of Brazilian nationalism embodied by West African capoeira students, while they also reveal West Africans’ creative endeavors, such as constructing new capoeira songs in African languages. I demonstrate how the diasporic position to protect “Afro” cultural forms ironically gives way to policing creative work by continental Africans, capoeira's most recent recruits in the contemporary moment. I examine the racial hierarchies that proliferate within Black performance worlds through my concept of diasporic chauvinism to argue that diasporic returns can marginalize Africans and their innovations.","PeriodicalId":119873,"journal":{"name":"Diaspora: A Journal of Transnational Studies","volume":"41 5","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Afro-Paradox: Diasporic Chauvinism and Cultural Expertise in Afro-Brazilian Capoeira\",\"authors\":\"Celina de Sá\",\"doi\":\"10.3138/diaspora.24.1.2024.01.02\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Increasingly, Brazilian experts of capoeira—an Afro-Brazilian combat game—travel to African cities for an imagined return to the sites of capoeira's origins, as well as to train African students. Focusing on a cultural festival in Abidjan, I analyze capoeira cultural exchange events across West Africa through the anthropological lenses of expertise and racial analysis. These exchanges feature displays of Brazilian nationalism embodied by West African capoeira students, while they also reveal West Africans’ creative endeavors, such as constructing new capoeira songs in African languages. I demonstrate how the diasporic position to protect “Afro” cultural forms ironically gives way to policing creative work by continental Africans, capoeira's most recent recruits in the contemporary moment. I examine the racial hierarchies that proliferate within Black performance worlds through my concept of diasporic chauvinism to argue that diasporic returns can marginalize Africans and their innovations.\",\"PeriodicalId\":119873,\"journal\":{\"name\":\"Diaspora: A Journal of Transnational Studies\",\"volume\":\"41 5\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2024-05-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Diaspora: A Journal of Transnational Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3138/diaspora.24.1.2024.01.02\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Diaspora: A Journal of Transnational Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3138/diaspora.24.1.2024.01.02","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The Afro-Paradox: Diasporic Chauvinism and Cultural Expertise in Afro-Brazilian Capoeira
Increasingly, Brazilian experts of capoeira—an Afro-Brazilian combat game—travel to African cities for an imagined return to the sites of capoeira's origins, as well as to train African students. Focusing on a cultural festival in Abidjan, I analyze capoeira cultural exchange events across West Africa through the anthropological lenses of expertise and racial analysis. These exchanges feature displays of Brazilian nationalism embodied by West African capoeira students, while they also reveal West Africans’ creative endeavors, such as constructing new capoeira songs in African languages. I demonstrate how the diasporic position to protect “Afro” cultural forms ironically gives way to policing creative work by continental Africans, capoeira's most recent recruits in the contemporary moment. I examine the racial hierarchies that proliferate within Black performance worlds through my concept of diasporic chauvinism to argue that diasporic returns can marginalize Africans and their innovations.