泰迪-阿弗罗的音乐:民族主义、人文主义与埃塞俄比亚民主呼声的融合

Dawit Dibekulu
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摘要

本定性分析采用批判性话语分析(CDA)方法,探讨埃塞俄比亚著名音乐家泰迪-阿夫罗(Teddy Afro)的歌词 "Naʾət (ʾəyamämäw qut'ər 2) Naat (Paining No. 2)"。本研究的重点是了解泰迪的歌词如何反映民族主义、人文主义以及在埃塞俄比亚背景下对民主的追求等主题。研究分析借鉴了 CDA 方法,考察了歌词中为传达社会政治信息而采用的语言和话语策略。研究强调了泰迪作为文化人物和活动家的角色,他的音乐是表达社会关切和倡导变革的媒介。通过 CDA 的视角,分析阐明了泰迪的音乐是如何促进当前围绕埃塞俄比亚身份、社会正义和民主愿望的讨论的。最终,本研究为埃塞俄比亚音乐、政治和文化的交汇提供了见解,揭示了泰迪音乐贡献的社会政治意义。
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Teddy Afro's Music: A Fusion of Nationalism, Humanism, and the Cry for Ethiopian Democracy
This qualitative analysis employs Critical Discourse Analysis (CDA) to explore the song lyrics of "Naʾət (ʾəyamämäw qut’ər 2) Naat (Paining No. 2) " by Teddy Afro, a prominent Ethiopian musician known for blending elements of nationalism, humanism, and political activism in his music. The study focuses on understanding how Teddy's lyrics reflect themes of nationalism, humanism, and the quest for democracy within the Ethiopian context. Drawing upon CDA, the analysis examines linguistic and discursive strategies employed in the lyrics to convey socio-political messages. The study highlights Teddy's role as a cultural figure and activist whose music serves as a medium for expressing societal concerns and advocating for change. Through the lens of CDA, the analysis elucidates the ways in which Teddy's music contributes to ongoing discourses surrounding Ethiopian identity, social justice, and democratic aspirations. Ultimately, this research provides insights into the intersection of music, politics, and culture in Ethiopia, shedding light on the socio-political significance of Teddy's musical contributions.
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