将死亡物质化:利用观众研究的混合方法为大英博物馆的墓葬物品重新着色

IF 1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Curator: The Museum Journal Pub Date : 2024-05-18 DOI:10.1111/cura.12625
Neil Wilkin, Raffaella Cecilia, Jennifer Wexler, Melanie Giles, Duncan Garrow
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引用次数: 0

摘要

墓葬物品是许多博物馆中最常见、同时也是最有影响力的陈列品之一。它们具有一种罕见的--通常是潜在的--能力,既能传达特殊的和普遍的主题,又能通过将博物馆参观者和过去的人的共同化身联系在一起来打破年代和文化差异。为了探索这些价值,本研究借鉴了在大英博物馆史前晚期展厅开展 "死亡、记忆与意义 "线索这一快速、低成本的解释性干预活动前后两个阶段的深入、混合方法观众研究的结果。分析强调了前置亲密关系以及身体与物品之间复杂关系的重要性。它还证明了在展示墓葬物品时采用与环境、情感和精神相关联的方法的重要性。鉴于围绕博物馆中史前欧洲人类遗骸展示的伦理问题日益严重,我们的研究结果尤为及时。
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Materializing mortality: Re‐enchanting grave goods in the British Museum using mixed‐method approaches to audience research
Grave goods are among the most common, but at the same time most powerful, objects on display in many museums. They possess the rare—often latent—ability to convey both particular and universal themes and to collapse chronological and cultural differences by connecting the shared embodiment of museum visitors and past people. To explore these values, this study draws on the results of two phases of in‐depth, mixed‐methods audience research before and after a rapid and low‐cost interpretative intervention: the “Death, Memory and Meaning” trail in the later prehistoric galleries of the British Museum. The analysis highlights the importance of fore‐fronting intimacy and the complex relationship between bodies and objects. It also demonstrates the importance of contextual, emotionally and spiritually connected approaches to the presentation of grave goods. Our findings are especially timely given the intensification of ethical concerns surrounding displays of prehistoric European human remains in museums.
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来源期刊
Curator: The Museum Journal
Curator: The Museum Journal HUMANITIES, MULTIDISCIPLINARY-
CiteScore
1.70
自引率
10.00%
发文量
63
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