{"title":"唐-德里罗《地下世界》中的情感主体与废物观念","authors":"Aaron F. Schneeberger","doi":"10.1353/sdn.2024.a928653","DOIUrl":null,"url":null,"abstract":"<p><p>Abstract:</p><p>This article reads the trope of waste in Don DeLillo’s <i>Underworld</i> through the lens of theories of affect and embodied cognition. Specifically, it examines how the bodily and perceptual habits of the novel’s characters are shaped through encounters with waste. Furthermore, it argues that these changing perceptions, attitudes, and dispositions toward waste demonstrate broader shifts in the development of capitalist subjects during the latter half of the twentieth century. Specifically, the novel depicts a transition from a desire to reconcile capitalist growth with traditionalism, not unlike the “fusionism” that dominated conservative thought during the middle of the twentieth century, to a more utopian vision of boundless capitalist growth popularized in post-Reagan America. The novel thus suggests that the political dispositions of its characters are better understood in terms of their affects and bodily habits than more traditional metrics like ideology.</p></p>","PeriodicalId":54138,"journal":{"name":"STUDIES IN THE NOVEL","volume":null,"pages":null},"PeriodicalIF":0.5000,"publicationDate":"2024-05-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Affective Subjects and Perceptions of Waste in Don Delillo's Underworld\",\"authors\":\"Aaron F. Schneeberger\",\"doi\":\"10.1353/sdn.2024.a928653\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<p><p>Abstract:</p><p>This article reads the trope of waste in Don DeLillo’s <i>Underworld</i> through the lens of theories of affect and embodied cognition. Specifically, it examines how the bodily and perceptual habits of the novel’s characters are shaped through encounters with waste. Furthermore, it argues that these changing perceptions, attitudes, and dispositions toward waste demonstrate broader shifts in the development of capitalist subjects during the latter half of the twentieth century. Specifically, the novel depicts a transition from a desire to reconcile capitalist growth with traditionalism, not unlike the “fusionism” that dominated conservative thought during the middle of the twentieth century, to a more utopian vision of boundless capitalist growth popularized in post-Reagan America. The novel thus suggests that the political dispositions of its characters are better understood in terms of their affects and bodily habits than more traditional metrics like ideology.</p></p>\",\"PeriodicalId\":54138,\"journal\":{\"name\":\"STUDIES IN THE NOVEL\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2024-05-23\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"STUDIES IN THE NOVEL\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/sdn.2024.a928653\",\"RegionNum\":2,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"STUDIES IN THE NOVEL","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/sdn.2024.a928653","RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
Affective Subjects and Perceptions of Waste in Don Delillo's Underworld
Abstract:
This article reads the trope of waste in Don DeLillo’s Underworld through the lens of theories of affect and embodied cognition. Specifically, it examines how the bodily and perceptual habits of the novel’s characters are shaped through encounters with waste. Furthermore, it argues that these changing perceptions, attitudes, and dispositions toward waste demonstrate broader shifts in the development of capitalist subjects during the latter half of the twentieth century. Specifically, the novel depicts a transition from a desire to reconcile capitalist growth with traditionalism, not unlike the “fusionism” that dominated conservative thought during the middle of the twentieth century, to a more utopian vision of boundless capitalist growth popularized in post-Reagan America. The novel thus suggests that the political dispositions of its characters are better understood in terms of their affects and bodily habits than more traditional metrics like ideology.
期刊介绍:
From its inception, Studies in the Novel has been dedicated to building a scholarly community around the world-making potentialities of the novel. Studies in the Novel started as an idea among several members of the English Department of the University of North Texas during the summer of 1965. They determined that there was a need for a journal “devoted to publishing critical and scholarly articles on the novel with no restrictions on either chronology or nationality of the novelists studied.” The founding editor, University of North Texas professor of contemporary literature James W. Lee, envisioned a journal of international scope and influence. Since then, Studies in the Novel has staked its reputation upon publishing incisive scholarship on the canon-forming and cutting-edge novelists that have shaped the genre’s rich history. The journal continues to break new ground by promoting new theoretical approaches, a broader international scope, and an engagement with the contemporary novel as a form of social critique.