{"title":"过去!未来!在极端中!在 \"新浪漫主义 \"中寻找意义,1978-1982 年","authors":"Matthew Worley","doi":"10.1017/jbr.2024.57","DOIUrl":null,"url":null,"abstract":"<p>First used in 1980, “new romantics” was a term applied to describe a British youth culture recognized initially for its sartorial extravagance and penchant for electronic music. Closely associated with the Blitz nightclub in London's Covent Garden (as well as milieus elsewhere in the UK), new romantics appeared to signal a break from the prescribed aesthetics and sensibilities of punk, rejecting angry oppositionism for glamour and aspiration. In response, cultural commentators have often sought to establish connections between new romantism and the advent of Thatcherism and “the 1980s.” This article challenges such an interpretation, offering a more complex analysis of new romanticism rooted in nascent readings of postmodernism. It also shifts our understandings of the periodization of postwar British history and the concept of “popular individualism,” arguing that youth culture provides invaluable insight both to broader processes of sociocultural change and to the construction of the (post)modern self.</p>","PeriodicalId":46738,"journal":{"name":"Journal of British Studies","volume":null,"pages":null},"PeriodicalIF":0.7000,"publicationDate":"2024-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Past! Future! In Extreme!: Looking for Meaning in the “New Romantics,” 1978–82\",\"authors\":\"Matthew Worley\",\"doi\":\"10.1017/jbr.2024.57\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<p>First used in 1980, “new romantics” was a term applied to describe a British youth culture recognized initially for its sartorial extravagance and penchant for electronic music. Closely associated with the Blitz nightclub in London's Covent Garden (as well as milieus elsewhere in the UK), new romantics appeared to signal a break from the prescribed aesthetics and sensibilities of punk, rejecting angry oppositionism for glamour and aspiration. In response, cultural commentators have often sought to establish connections between new romantism and the advent of Thatcherism and “the 1980s.” This article challenges such an interpretation, offering a more complex analysis of new romanticism rooted in nascent readings of postmodernism. It also shifts our understandings of the periodization of postwar British history and the concept of “popular individualism,” arguing that youth culture provides invaluable insight both to broader processes of sociocultural change and to the construction of the (post)modern self.</p>\",\"PeriodicalId\":46738,\"journal\":{\"name\":\"Journal of British Studies\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.7000,\"publicationDate\":\"2024-05-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of British Studies\",\"FirstCategoryId\":\"98\",\"ListUrlMain\":\"https://doi.org/10.1017/jbr.2024.57\",\"RegionNum\":1,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"HISTORY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of British Studies","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1017/jbr.2024.57","RegionNum":1,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"HISTORY","Score":null,"Total":0}
Past! Future! In Extreme!: Looking for Meaning in the “New Romantics,” 1978–82
First used in 1980, “new romantics” was a term applied to describe a British youth culture recognized initially for its sartorial extravagance and penchant for electronic music. Closely associated with the Blitz nightclub in London's Covent Garden (as well as milieus elsewhere in the UK), new romantics appeared to signal a break from the prescribed aesthetics and sensibilities of punk, rejecting angry oppositionism for glamour and aspiration. In response, cultural commentators have often sought to establish connections between new romantism and the advent of Thatcherism and “the 1980s.” This article challenges such an interpretation, offering a more complex analysis of new romanticism rooted in nascent readings of postmodernism. It also shifts our understandings of the periodization of postwar British history and the concept of “popular individualism,” arguing that youth culture provides invaluable insight both to broader processes of sociocultural change and to the construction of the (post)modern self.
期刊介绍:
The official publication of the North American Conference on British Studies (NACBS), the Journal of British Studies, has positioned itself as the critical resource for scholars of British culture from the Middle Ages through the present. Drawing on both established and emerging approaches, JBS presents scholarly articles and books reviews from renowned international authors who share their ideas on British society, politics, law, economics, and the arts. In 2005 (Vol. 44), the journal merged with the NACBS publication Albion, creating one journal for NACBS membership. The NACBS also sponsors an annual conference , as well as several academic prizes, graduate fellowships, and undergraduate essay contests .