This article examines the ways in which sexual and reproductive health themes appear in the Birmingham Black Oral History Project. As a community Black oral history project, it did not set out to collect memories of sexual or reproductive health. Despite that, the collection offers rich insights into the underexplored place of sexual and reproductive health within Black British histories. The article argues that archived oral history interviews should be “reused” as part of that historiographical exploration. It analyses the ways in which dominant interest in questions of “illegitimacy”—interest that had colonial roots—led to memories of sex education, courtship, and access to abortion in mid-twentieth-century Jamaica. Through a case study analysis of one interviewee—Carlton Duncan, father to the first “Black test tube twins”—the article concludes by arguing that being attentive to interviewee composure makes more visible the availability of narratives and cultural discourses through which interviewees could narrate or shape their sexual and reproductive health histories. As a whole, the article offers a new lens on postcolonial British history by analyzing the racist stereotyping that endured across the postwar period, especially in relation to Black sexuality and fertility.
Exhibition trophies have become invisible to most people reading about and looking at images of the great world’s fairs. This is not surprising; trophies have fallen out of our awareness because they, and the criticisms they provoked, have received surprisingly little scholarly attention. This article reveals not only this largely overlooked form, but also just how much cultural work they were doing and why so many people found them disturbing. Exhibition trophies became a solution to the nineteenth-century design problem of representing progress, imperial power, extractive superabundance, control of the natural world, and industrial capacity. Nineteenth-century exhibitors and collectors made trophies out of a wide array of commodities, animals, raw materials, manufactured goods, weapons, and “primitive” objects. But by carrying with them ancient connotations of high-minded victory and violence, exhibition trophies also inspired criticisms that got to the heart of modern forms of conquest. Divisive in the middle of the nineteenth century, trophies were ubiquitous by the turn of the twentieth. Meanwhile a new, rival way of displaying imperial power emerged that challenged ethnographic trophies in particular: the new science of anthropology. This article begins to recover this lost form and its implications—from disquiet to the acceptance of abundance (even overabundance) as a collective goal.
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