代表中产阶级的 "潮人":新出现的区分模式、代际对立和城市化

E. le Grand
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引用次数: 5

摘要

本文探讨了报纸和博客中的 "潮人 "形象如何与当代英国的阶级分化进程联系在一起。分析表明,"潮人 "是一种有争议的中产阶级社会类型,既是诋毁的对象,也是声望的对象。潮人的典型代表是与文化中介的中产阶级部分相关联的年轻人,他们从事一套特殊的反思性和时尚的消费行为,通常在绅士化的城市空间中进行,并与创意产业相关联。文章认为,"潮人酷 "地位的争议表明,文化品位的阶级差别在不断变化,中产阶级内部各代人之间的阶级斗争涉及真实性问题。这种争论反映在新兴的文化资本形式的合法性日益增强,这些资本植根于流行文化并受到年轻人的追捧,而与老一代中产阶级相关的传统高雅文化的象征性力量正在减弱。本文还论证了有关潮人品味和生活方式的分类斗争具有空间维度,因为它与英国新自由主义下与绅士化相关的公共争议和社会焦虑紧密相连。
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Representing the middle-class ‘hipster’: Emerging modes of distinction, generational oppositions and gentrification
This article explores how representations of the ‘hipster’ in newspapers and on blogs are bound up with processes of class distinction in contemporary Britain. The analysis demonstrates that the hipster is a contested middle-class social type who is the object of both denigration and prestige. The hipster is typically represented as a young person associated with the middle-class fraction of the cultural intermediaries who is engaged in a particular set of reflexive and trendy consumption practices, often performed in gentrified urban spaces and linked to the creative industries. The article suggests that the disputed status of ‘hipster cool’ is indicative of shifting class distinctions in cultural taste and classificatory struggles within the middle class between generational groupings that involve questions of authenticity. Such contestations are reflected by the increasing legitimacy of emerging forms of cultural capital rooted in popular culture and embraced by young people, and the waning symbolic power of traditional highbrow culture associated with an older generation of middle-class people. It is also argued that the classificatory struggles over hipster tastes and lifestyles have a spatial dimension as bound up with the public controversies and social anxieties linked to gentrification in neoliberal Britain.
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