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Contributors
Leila Braun is a PhD candidate in English Language & Literature at the University of Michigan. Her dissertation, “Everyday Apocalypse: Minor Realism in the Contemporary Climate Novel,” examines how contemporary novels engage partial and contingent forms of literary realism to depict climate change and environmental disaster.
Bridget Chalk is Professor of English at Manhattan College, where she teaches modernism and twentieth- and twenty-first-century British and Anglophone literature. She is the author of Modernism and Mobility: The Passport and Cosmopolitan Experience (Palgrave, 2014), as well as essays and reviews in Modernism/Modernity, The Journal of Modern Literature, Twentieth-Century Literature, and elsewhere. She is currently at work on Novel Schooling, a book about the relationship between education and narrative form.
Eliza McCarthy was in the final year of her undergraduate degree in English at the University of Exeter at the time of writing this article, and she began an MSt in World Literatures at the University of Oxford in October 2023 before pursuing doctoral study. Eliza’s research interests lie in the intersection between literature and cultural geography, notably ocean studies, postcolonial ecocriticism, sound studies, and the Black Diaspora.
Aaron Schneeberger received his doctorate in American Literature in 2018 from the University of Nevada, Reno, where he currently teaches as a postdoctoral scholar. His scholarship has also appeared in Modern Fiction Studies and College Literature.
Ryan Trimm is Professor of English and Film Media at the University of Rhode Island. He has authored the book Heritage and the Legacy of the Past in Contemporary Britain and numerous articles on contemporary British fiction and film.
期刊介绍：
From its inception, Studies in the Novel has been dedicated to building a scholarly community around the world-making potentialities of the novel. Studies in the Novel started as an idea among several members of the English Department of the University of North Texas during the summer of 1965. They determined that there was a need for a journal “devoted to publishing critical and scholarly articles on the novel with no restrictions on either chronology or nationality of the novelists studied.” The founding editor, University of North Texas professor of contemporary literature James W. Lee, envisioned a journal of international scope and influence. Since then, Studies in the Novel has staked its reputation upon publishing incisive scholarship on the canon-forming and cutting-edge novelists that have shaped the genre’s rich history. The journal continues to break new ground by promoting new theoretical approaches, a broader international scope, and an engagement with the contemporary novel as a form of social critique.
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