{"title":"马塞尔-雷哈与戏剧疗法","authors":"Chloé Loubry, Marion Hendrickx, Emmanuel Drouin","doi":"10.1177/0957154X241254688","DOIUrl":null,"url":null,"abstract":"<p><p>We report on the play entitled <i>Le Pain quotidien</i> (The daily bread) by Marcel Réja (1873-1957), a French alienist and historian of art in asylums. He also wrote short plays, although he is less well known as a playwright. The plays were printed just in time for the performance, which often took place on the day of the asylum fair. Here, we discuss a one-act play consisting of four scenes in which the actors are his patients.</p>","PeriodicalId":45965,"journal":{"name":"History of Psychiatry","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2024-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Marcel Réja and theatre therapy.\",\"authors\":\"Chloé Loubry, Marion Hendrickx, Emmanuel Drouin\",\"doi\":\"10.1177/0957154X241254688\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<p><p>We report on the play entitled <i>Le Pain quotidien</i> (The daily bread) by Marcel Réja (1873-1957), a French alienist and historian of art in asylums. He also wrote short plays, although he is less well known as a playwright. The plays were printed just in time for the performance, which often took place on the day of the asylum fair. Here, we discuss a one-act play consisting of four scenes in which the actors are his patients.</p>\",\"PeriodicalId\":45965,\"journal\":{\"name\":\"History of Psychiatry\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2024-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"History of Psychiatry\",\"FirstCategoryId\":\"98\",\"ListUrlMain\":\"https://doi.org/10.1177/0957154X241254688\",\"RegionNum\":3,\"RegionCategory\":\"哲学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"2024/6/5 0:00:00\",\"PubModel\":\"Epub\",\"JCR\":\"Q4\",\"JCRName\":\"HISTORY OF SOCIAL SCIENCES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"History of Psychiatry","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1177/0957154X241254688","RegionNum":3,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"2024/6/5 0:00:00","PubModel":"Epub","JCR":"Q4","JCRName":"HISTORY OF SOCIAL SCIENCES","Score":null,"Total":0}
We report on the play entitled Le Pain quotidien (The daily bread) by Marcel Réja (1873-1957), a French alienist and historian of art in asylums. He also wrote short plays, although he is less well known as a playwright. The plays were printed just in time for the performance, which often took place on the day of the asylum fair. Here, we discuss a one-act play consisting of four scenes in which the actors are his patients.
期刊介绍:
History of Psychiatry publishes research articles, analysis and information across the entire field of the history of mental illness and the forms of medicine, psychiatry, cultural response and social policy which have evolved to understand and treat it. It covers all periods of history up to the present day, and all nations and cultures.