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引用次数: 0
摘要
Anatoly Nayman 的《俄罗斯长诗》专门论述了俄罗斯文学中六部具有里程碑意义的作品:开篇讨论了 I. Bogdanovich 的《杜申卡》、A. Pushkin 的《青铜骑士》[Medniy vsadnik]和 N. Nekrasov 的《红鼻子霜》[Moroz, Krasniy nos]。Nekrasov 的《红鼻子霜》[Moroz, Krasniy nos],接着分析了 20 世纪的实验长诗,包括 V. Mayakovsky 的《穿长裤的云》[Oblako v shtanakh]、A. Blok 的《十二人》[Dvenadtsat]和 A. Akhmatova 的《没有英雄的诗》[Poema bez geroya]。作者提出了看待这些诗歌的新角度,将读者的关注点从先入为主的解释转移到文本的诗学上,这主要是作为一种文化而非历史事实发挥作用。奈曼在书中对诗歌中流传下来的不间断的传统进行了准确的鉴赏,并指出了它们与欧洲共同背景的联系,如波德莱尔的诗歌或但丁的《神曲》。作者详细介绍了诗歌写作的发展,其形式和意义是由文化和历史环境决定的。
Nayman, A. (2023). Russian Long Poem. Moscow: Alpina non-fiction. (In Russ.)
Anatoly Nayman’s Russian Long Poem is devoted to six landmark works of Russian literature: opening with a discussion of I. Bogdanovich’s Dushenka, A. Pushkin’s The Bronze Horseman [Medniy vsadnik], and N. Nekrasov’s Red-Nosed Frost [Moroz, Krasniy nos], the book goes on to analyze 20th-c. experimental long poems, including V. Mayakovsky’s A Cloud in Trousers [Oblako v shtanakh], A. Blok’s Dvenadtsat [The Twelve], and A. Akhmatova’s Poem without a Hero [Poema bez geroya]. The author proposes a new angle for viewing the poems, shifting the reader’s focus from preconceived interpretations to the poetics of the texts, which function primarily as a cultural rather than historical fact. Nayman’s book shows accurate appreciation of the uninterrupted tradition passed down among the poems and points out their ties with a common European context, such as C. Baudelaire’s poetry or Dante’s Divine Comedy. The author details the development of poetic writing, its form and meaning determined by cultural and historical circumstances.