文化代码:概念的定义和现象的实际问题:理论回顾

Pan-Art Pub Date : 2024-06-05 DOI:10.30853/pa20240020
D. Losev
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引用次数: 0

摘要

研究的目的是在对现代文化代码概念进行理论回顾的框架内,形成理解这一现象的理论核心。文章探讨了文化代码的定义、结构和功能等不同方面,揭示了文化代码在人类行为、结构、符号、形象和价值内容中的心理根源和意义,以及它作为心理和文化之间的连接元素的作用、作为文化文本的交流元素和解释者的功能和作为封装文化主要含义的密码的作用。确定了文化代码在人类生存的民族和国家形式中以及在构建社会和文化认同中的重要意义。概述了与文化代码碎片化相关的主要问题和风险:全球化框架内文化代码的标准化和统一、意识形态和文化战争及宣传、文化过度从属于市场和物质原则、传统价值和意义的侵蚀以及同时文化中传统原则和创新原则之间的失衡、作为群体间和国际冲突因素的社会文化空间的冲突性和不和谐、破坏性进程以及新文化代码的出现。在对已获得的知识进行归纳和综合的基础上,我们提出了文化代码的新理论和概念核心,它是一种结构,决定了文化的形象符号和价值内容、其民族和国家的特殊性、社会文化环境的发展前景或减缓这种发展的机制,以及文化及其代码的表达者的无意识思维和行为的特殊性。在这一概念的框架内,文化代码是文化的一种 "基因组",奠定了文化发展的基础,决定了互动的性质和人类对文化产品的吸收,是掌握特定文化和改造周围世界的基本机制,也是一种解码器,可以(在正确解读的情况下)解读社会群体的心理特征,并在心理和行为上对其施加影响。
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Cultural code: Definition of the concept and practical problems of the phenomenon: Theoretical review
The aim of the study is to form a theoretical core of understanding of this phenomenon within the framework of theoretical review of modern concepts of cultural code. The article considers different definitional, structural and functional aspects of the cultural code, reveals its psychic roots and significance in human behavior, structure, sign-symbolic, figurative and value content, the role of a connecting element between the psyche and culture, the function of a communicative element and an interpreter of cultural texts and a cipher encapsulating the main meanings of culture. The significance of the cultural code in ethnic and national forms of human existence, in the construction of social and cultural identity is established. The key problems and risks associated with the defragmentation of the cultural code are outlined: standardization and unification of cultural codes within the framework of globalization, ideological and cultural wars and propaganda, excessive subordination of culture to market and materialistic principles, erosion of traditional values and meanings and at the same time imbalance between traditional and innovative principles in culture, conflictogenicity and disharmony of socio-cultural space as factors of intergroup and international conflicts, destructive processes, and the emergence of new cultural codes. Based on the generalization and synthesis of the obtained knowledge, a new theoretical and conceptual core of the cultural code is formulated as a structure that determines the image-symbolic and value content of culture, its ethnic and national peculiarities, the prospects of development of the sociocultural environment or the mechanisms slowing down this development, as well as the specificity of unconscious thinking and behavior of the people-expressor of the culture and its codes. In the framework of the proposed concept, the cultural code appears as a kind of “genome” of culture, laying the foundations of its development, determining the nature of interaction and human assimilation of its products, serves as a basic mechanism of specific cultural mastering and transformation of the world around people, as well as a decoder that allows (if correctly interpreted) to read the mental characteristics of social groups and influence them in the mental and behavioral sense.
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