{"title":"\"我们如何继续加里-斯奈德 \"斧柄 \"中的传统天赋与诗人个体","authors":"K. Narayana Chandran","doi":"10.1353/cea.2024.a931452","DOIUrl":null,"url":null,"abstract":"<p><p>Abstract:</p><p>This essay examines Gary Snyder’s poem from various aspects: T. S. Eliot’s “tradition,” Ezra Pound’s “ideas in action,” and Paulo Freire’s critical pedagogy, to name a few. The learning at issue here is open and unconstrained, if only because in the short “Axe Handles,” things heard, seen, learnt, and internalized a long while ago at first hand matter. Furthermore, students see the advantage of tradition’s talent guided along the “at-handed” ease of access. Indic traditions of learning through narratives, tales <i>as</i> gifts, make this business obligation-free— both for the masters and disciples. Snyder’s poem is that splendid common ground on which preceptors and pupils meet and come to terms with such concepts as work, art, and wisdom. They are framed in both western and eastern cultural terms in arguing why and how the poem shows, placed within the commercial concerns of the contemporary academic, the humanities matter deeply.</p></p>","PeriodicalId":41558,"journal":{"name":"CEA CRITIC","volume":"31 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2024-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"\\\"How we go on\\\": Tradition's Talent and the Individual Poet in Gary Snyder's \\\"Axe Handles\\\"\",\"authors\":\"K. Narayana Chandran\",\"doi\":\"10.1353/cea.2024.a931452\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<p><p>Abstract:</p><p>This essay examines Gary Snyder’s poem from various aspects: T. S. Eliot’s “tradition,” Ezra Pound’s “ideas in action,” and Paulo Freire’s critical pedagogy, to name a few. The learning at issue here is open and unconstrained, if only because in the short “Axe Handles,” things heard, seen, learnt, and internalized a long while ago at first hand matter. Furthermore, students see the advantage of tradition’s talent guided along the “at-handed” ease of access. Indic traditions of learning through narratives, tales <i>as</i> gifts, make this business obligation-free— both for the masters and disciples. Snyder’s poem is that splendid common ground on which preceptors and pupils meet and come to terms with such concepts as work, art, and wisdom. They are framed in both western and eastern cultural terms in arguing why and how the poem shows, placed within the commercial concerns of the contemporary academic, the humanities matter deeply.</p></p>\",\"PeriodicalId\":41558,\"journal\":{\"name\":\"CEA CRITIC\",\"volume\":\"31 1\",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2024-07-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"CEA CRITIC\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/cea.2024.a931452\",\"RegionNum\":4,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"CEA CRITIC","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/cea.2024.a931452","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
引用次数: 0
摘要
摘要:这篇文章从多方面研究了加里-斯奈德的诗歌:T. S. 艾略特的 "传统"、埃兹拉-庞德的 "行动中的思想 "以及保罗-弗莱雷的批判教育学等等。这里所涉及的学习是开放的、不受约束的,这仅仅是因为在短篇小说《斧柄》中,很久以前亲耳听到、看到、学到并内化的东西是重要的。此外,在 "随手可得 "的便捷性引导下,学生们看到了传统天赋的优势。印地安人通过叙事、故事作为礼物来学习的传统,让师傅和弟子都没有义务去做这件事。斯奈德的诗歌是一个美妙的共同点,在这个共同点上,师傅和徒弟相遇,并就工作、艺术和智慧等概念达成一致。他们从西方和东方文化的角度,论证了这首诗为何以及如何表明,在当代学术界的商业关注中,人文学科是非常重要的。
"How we go on": Tradition's Talent and the Individual Poet in Gary Snyder's "Axe Handles"
Abstract:
This essay examines Gary Snyder’s poem from various aspects: T. S. Eliot’s “tradition,” Ezra Pound’s “ideas in action,” and Paulo Freire’s critical pedagogy, to name a few. The learning at issue here is open and unconstrained, if only because in the short “Axe Handles,” things heard, seen, learnt, and internalized a long while ago at first hand matter. Furthermore, students see the advantage of tradition’s talent guided along the “at-handed” ease of access. Indic traditions of learning through narratives, tales as gifts, make this business obligation-free— both for the masters and disciples. Snyder’s poem is that splendid common ground on which preceptors and pupils meet and come to terms with such concepts as work, art, and wisdom. They are framed in both western and eastern cultural terms in arguing why and how the poem shows, placed within the commercial concerns of the contemporary academic, the humanities matter deeply.