{"title":"科学、米歇尔-塞雷斯和 A. R. 阿蒙斯的拓扑诗学","authors":"Bernhard H. Kuhn","doi":"10.1353/lit.2024.a931855","DOIUrl":null,"url":null,"abstract":"<p><p>Abstract:</p><p>This essay interprets the poetry of A. R. Ammons through the mathematics of topology as theorized by Michel Serres. Focused on the bending, stretching and twisting of geometric forms to reveal new, unexpected shapes and areas of equivalence, topology provides Serres a conception of culture that challenges the static, Euclidian mindset that for him predominates Western thought. Viewed topologically, Ammons’s poems, with their rapidly changing, seemingly incongruous, subject matter, meter, and diction, create surprising structural analogies or points of contact between discourses often regarded as separate, such as the literary and scientific. I trace the relations between science and poetry in two of Ammons’s more ambitious works that span his mature period: the “Essay on Poetics” (1970) and the book-length <i>Garbage</i> (1993), examining the innovative strategies Ammons develops to locate the hidden passageways between disciplines that modern culture obscures.</p></p>","PeriodicalId":44728,"journal":{"name":"COLLEGE LITERATURE","volume":"24 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2024-07-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Science, Michel Serres, and the Topological Poetics of A. R. Ammons\",\"authors\":\"Bernhard H. Kuhn\",\"doi\":\"10.1353/lit.2024.a931855\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<p><p>Abstract:</p><p>This essay interprets the poetry of A. R. Ammons through the mathematics of topology as theorized by Michel Serres. Focused on the bending, stretching and twisting of geometric forms to reveal new, unexpected shapes and areas of equivalence, topology provides Serres a conception of culture that challenges the static, Euclidian mindset that for him predominates Western thought. Viewed topologically, Ammons’s poems, with their rapidly changing, seemingly incongruous, subject matter, meter, and diction, create surprising structural analogies or points of contact between discourses often regarded as separate, such as the literary and scientific. I trace the relations between science and poetry in two of Ammons’s more ambitious works that span his mature period: the “Essay on Poetics” (1970) and the book-length <i>Garbage</i> (1993), examining the innovative strategies Ammons develops to locate the hidden passageways between disciplines that modern culture obscures.</p></p>\",\"PeriodicalId\":44728,\"journal\":{\"name\":\"COLLEGE LITERATURE\",\"volume\":\"24 1\",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2024-07-11\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"COLLEGE LITERATURE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/lit.2024.a931855\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"COLLEGE LITERATURE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/lit.2024.a931855","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
引用次数: 0
摘要
摘要:这篇文章通过米歇尔-塞瑞斯(Michel Serres)理论化的拓扑学数学诠释了阿蒙斯(A. R. Ammons)的诗歌。拓扑学侧重于几何形式的弯曲、伸展和扭曲,以揭示新的、意想不到的形状和等价区域,为塞雷斯提供了一种文化概念,挑战了他认为占西方思想主导地位的静态的欧几里得思维模式。从拓扑学的角度来看,阿蒙斯的诗歌在题材、格律和修辞上变化迅速,看似不协调,却在文学和科学等通常被视为独立的话语之间创造了令人惊讶的结构类比或接触点。我将在安蒙斯成熟时期的两部雄心勃勃的作品中追溯科学与诗歌之间的关系:《诗学论文》(1970 年)和长篇《垃圾》(1993 年),研究安蒙斯为寻找现代文化所掩盖的学科之间的隐秘通道而开发的创新策略。
Science, Michel Serres, and the Topological Poetics of A. R. Ammons
Abstract:
This essay interprets the poetry of A. R. Ammons through the mathematics of topology as theorized by Michel Serres. Focused on the bending, stretching and twisting of geometric forms to reveal new, unexpected shapes and areas of equivalence, topology provides Serres a conception of culture that challenges the static, Euclidian mindset that for him predominates Western thought. Viewed topologically, Ammons’s poems, with their rapidly changing, seemingly incongruous, subject matter, meter, and diction, create surprising structural analogies or points of contact between discourses often regarded as separate, such as the literary and scientific. I trace the relations between science and poetry in two of Ammons’s more ambitious works that span his mature period: the “Essay on Poetics” (1970) and the book-length Garbage (1993), examining the innovative strategies Ammons develops to locate the hidden passageways between disciplines that modern culture obscures.