{"title":"格特鲁德-摩根修女分歧之部--展览回顾","authors":"Lisa Katina Armstrong PhD","doi":"10.1111/muan.12302","DOIUrl":null,"url":null,"abstract":"<p>The discourse around Black History in Florida's public schools and public spaces has been notably controversial and in high demand in recent years. Black museums are few in the Tampa Bay area, making the Woodson African American History Museum in St. Petersburg, Florida, a community treasure. The Woodson Museum partnered with the Montague Collection, launching Women's History Month in March 2024 by featuring the “<i>Sister Gertrude Morgan: A Ministry of Divergence</i>” exhibition. This exhibit centers on religion, rhythms, and artistry. Sister Gertrude Morgan was an African American, New Orleans-based, multidisciplinary artist and street evangelist from the late 1950s to the mid-1970s. Morgan repurposed the streets into her muse, medium, pulpit, and exhibition space in a way that can serve as a Black museum praxis framework.</p>","PeriodicalId":43404,"journal":{"name":"Museum Anthropology","volume":"47 2","pages":"135-138"},"PeriodicalIF":0.7000,"publicationDate":"2024-07-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Sister Gertrude Morgan: A Ministry of Divergence—Exhibit review\",\"authors\":\"Lisa Katina Armstrong PhD\",\"doi\":\"10.1111/muan.12302\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<p>The discourse around Black History in Florida's public schools and public spaces has been notably controversial and in high demand in recent years. Black museums are few in the Tampa Bay area, making the Woodson African American History Museum in St. Petersburg, Florida, a community treasure. The Woodson Museum partnered with the Montague Collection, launching Women's History Month in March 2024 by featuring the “<i>Sister Gertrude Morgan: A Ministry of Divergence</i>” exhibition. This exhibit centers on religion, rhythms, and artistry. Sister Gertrude Morgan was an African American, New Orleans-based, multidisciplinary artist and street evangelist from the late 1950s to the mid-1970s. Morgan repurposed the streets into her muse, medium, pulpit, and exhibition space in a way that can serve as a Black museum praxis framework.</p>\",\"PeriodicalId\":43404,\"journal\":{\"name\":\"Museum Anthropology\",\"volume\":\"47 2\",\"pages\":\"135-138\"},\"PeriodicalIF\":0.7000,\"publicationDate\":\"2024-07-11\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Museum Anthropology\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://onlinelibrary.wiley.com/doi/10.1111/muan.12302\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"ANTHROPOLOGY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Museum Anthropology","FirstCategoryId":"1085","ListUrlMain":"https://onlinelibrary.wiley.com/doi/10.1111/muan.12302","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"ANTHROPOLOGY","Score":null,"Total":0}
Sister Gertrude Morgan: A Ministry of Divergence—Exhibit review
The discourse around Black History in Florida's public schools and public spaces has been notably controversial and in high demand in recent years. Black museums are few in the Tampa Bay area, making the Woodson African American History Museum in St. Petersburg, Florida, a community treasure. The Woodson Museum partnered with the Montague Collection, launching Women's History Month in March 2024 by featuring the “Sister Gertrude Morgan: A Ministry of Divergence” exhibition. This exhibit centers on religion, rhythms, and artistry. Sister Gertrude Morgan was an African American, New Orleans-based, multidisciplinary artist and street evangelist from the late 1950s to the mid-1970s. Morgan repurposed the streets into her muse, medium, pulpit, and exhibition space in a way that can serve as a Black museum praxis framework.
期刊介绍:
Museum Anthropology seeks to be a leading voice for scholarly research on the collection, interpretation, and representation of the material world. Through critical articles, provocative commentaries, and thoughtful reviews, this peer-reviewed journal aspires to cultivate vibrant dialogues that reflect the global and transdisciplinary work of museums. Situated at the intersection of practice and theory, Museum Anthropology advances our knowledge of the ways in which material objects are intertwined with living histories of cultural display, economics, socio-politics, law, memory, ethics, colonialism, conservation, and public education.