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引用次数: 0
摘要
在巴西,非殖民主义转向在过去十年中促使艺术博物馆进行了话语重组,主要是 通过批判性和补偿性思维驱动的展览。因此,出现了另一种视角,旨在提出植根于边缘化知识和想象的展览叙事。本文以里约艺术博物馆(Museu de Arte do Rio)这一特殊的思考场所为重点,深入探讨了两个展览所采用的策展方法:Mulheres na Coleção MAR 和 Casa Carioca。这些展览为博物馆的另一种方式铺平了道路,全面致力于博物馆的非殖民化。虽然这些展览所带来的变革的可持续性可能会受到质疑,但我们承认它们在合作建立其他解释框架以了解当地现实方面所发挥的作用,并将这一进程的主要受益者定义为不是博物馆本身,而是那些努力应对殖民主义日常影响的社区和个人。
Other museums: The disruptive potency of curatorship for the emergence of other modes of power, knowing, and being
In Brazil, the decolonial turn has prompted a discursive reconfiguration of art museums over the last decade, primarily through exhibitions driven by critical and reparative thinking. Consequently, alternative perspectives have emerged, aiming to propose exhibition narratives rooted in marginalized knowledge and imaginaries. Focusing on the Museu de Arte do Rio (Rio Museum of Art) as a privileged place of thought, this article delves into the curatorial methodologies employed for two exhibitions: Mulheres na Coleção MAR and Casa Carioca. These exhibitions have paved the way for another way of being a museum, holistically committed to its decolonization. While the sustainability of the changes brought about by these exhibitions may be questioned, it is recognized to acknowledge their role in collaborating to establish other interpretative frameworks for understanding local realities, defining as the primary beneficiaries of this process, not the museums themselves but the communities and individuals who grapple with the daily impacts of coloniality.