变得可见

Q1 Arts and Humanities Journal of English Studies Pub Date : 2024-07-10 DOI:10.18172/jes.5762
Eugenio M. Olivares Merino
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引用次数: 0

摘要

在英国,托马斯-莫尔被处死(1535 年 6 月 6 日)后,人们对他的记忆从公共生活中抹去,而流亡到西班牙荷兰的英国天主教徒却保留了他的形象和遗产。此外,莫尔的雕像被收入 16 世纪的名人肖像书--所谓的 viri illustres genre--有助于在欧洲大陆宣传这位著名的英国人文主义者。很快,莫尔的正直和智慧不仅在天主教国家印刷的作品中得到颂扬,而且在不再接受罗马权威的其他地区也得到了颂扬。本文分析了所有这些作品中对英国人文主义者的描述(包括图像和文字)。这些版画的视觉和文字修辞显示了它们之间的相互依存关系。
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Becoming visible
While in England the memory of Thomas More had been erased from public life after his execution (6 June 1535), English Catholics exiled in the Spanish Netherlands preserved his figure and legacy. Furthermore, the inclusion of More’s engraving in 16th-century portrait books of distinguished personalities–the so-called viri illustres genre–, contributed to the promotion of the famous English humanist in continental Europe. Soon, More’s integrity and wisdom were extolled not only in works printed in Catholic countries but also in other territories that no longer accepted Rome’s authority. This paper analyses the depiction (both image and text) of the English humanist in all these works. The visual and textual rhetoric of these engravings shows their mutual dependence.
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来源期刊
Journal of English Studies
Journal of English Studies Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
自引率
0.00%
发文量
0
审稿时长
50 weeks
期刊最新文献
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