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Mark McClelland’s "Upload" (2012) 马克·麦克利兰的《上传》(2012)
Q1 Arts and Humanities Pub Date : 2022-12-22 DOI: 10.18172/jes.5562
Carmen Laguarta-Bueno
In recent years and, in light of the latest developments in the field of neurotechnology, some critics have claimed that mind uploading could become technically feasible in a not-too-distant future. While transhumanist critics embrace this procedure and dream of a postbiological future in which human beings possess greater cognitive, emotional, and sensorial abilities, the critical posthumanists warn of the risks inherent to the idea of leaving biology behind to lead a virtual life in cyberspace. Significantly, these warnings reverberate in some twenty-first century cultural productions such as Mark McClelland’s Upload (2012), a novel that is also representative of an emerging trend of SF novels written by tech professionals. Although the novel may seem to be at first a defense of simulated life, this work aims to prove that McClelland’s narrative choices ultimately uncover a critical posthumanist view of embodiment as an essential part of human identity.
近年来,鉴于神经技术领域的最新发展,一些评论家声称,在不久的将来,思维上传在技术上可能变得可行。尽管跨人类主义评论家接受这一程序,并梦想着人类拥有更大的认知、情感和感官能力的后生物学未来,但批判性的后人类主义者警告说,放弃生物学在网络空间过虚拟生活的想法所固有的风险。值得注意的是,这些警告在一些21世纪的文化作品中产生了反响,比如马克·麦克莱兰的《上传》(2012),这部小说也代表了科技专业人士创作的科幻小说的新兴趋势。尽管这部小说一开始似乎是对模拟生活的辩护,但这部作品旨在证明麦克莱兰的叙事选择最终揭示了一种批判性的后人文主义观点,即化身是人类身份的重要组成部分。
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引用次数: 0
Space, Emotion, and Gender 空间、情感和性别
Q1 Arts and Humanities Pub Date : 2022-12-22 DOI: 10.18172/jes.5535
Eva Pelayo Sañudo
This article examines Kym Ragusa’s The Skin between Us: A Memoir of Race, Beauty and Belonging as a gendered transcultural narrative from the standpoint of spatial theory. In order to do so, it contextualizes the text within the framework of memoir writing and subsequently analyzes the representation of varied emotional spaces in the process of recovering one’s identity as displayed by the narrative voice. This research contends that the use of memoir, a genre particularly used by ‘marginal’ voices, is an adequate means to critically reflect on the (de)construction of identity as well as convey alternative patterns of gender relations and cultural negotiations. In addition, it stresses the central role of space and emotions in reflecting the transculturality and intersectionality of the diasporic and gendered subject.
本文从空间理论的角度考察了金·拉古萨的《我们之间的皮肤:种族、美和归属的回忆录》作为一种性别跨文化叙事。为此,它将文本置于回忆录写作的框架中,并随后分析了叙事声音在恢复自我身份的过程中所表现出的各种情感空间。本研究认为,使用“边缘”声音特别使用的回忆录类型,是批判性地反思身份(de)建构以及传达性别关系和文化谈判的替代模式的适当手段。此外,它还强调了空间和情感在反映流散和性别主体的跨文化性和交叉性方面的核心作用。
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引用次数: 0
Emotional Intelligence Survey in the English as a Foreign Language Classroom 英语课堂中的情商调查
Q1 Arts and Humanities Pub Date : 2022-12-22 DOI: 10.18172/jes.5247
Lucía Fraga Viñas, Paula Moure Blanco
Current society demands people with different attitudes and competences who are able to thrive in the global world. Since its appearance in the 1990s, the relevance of the concept of Emotional Intelligence has only grown within the education system, as it is seen by recent research as an essential competence that needs to be developed to achieve the holistic training of students. This study was conducted in a high school of Spain with the participation of the English department and 49 English learners who answered some questionnaires to examine how teachers and students from a EFL classroom context perceive issues related with Emotional Intelligence such as the perception and expression of emotion, emotional facilitation of thinking, understanding of emotion and regulation of emotion. Besides, it spotlights their potential interest in working with some projects proposed following the Project Based Learning (PBL) approach. Results showed a growing awareness of own and other’s emotions among the participants and their interest in developing the projects to work on Emotional Intelligence in the EFL classroom.
当今社会需要有不同态度和能力的人,他们能够在全球世界中茁壮成长。自20世纪90年代出现以来,情商概念的相关性只在教育系统中发展,因为最近的研究将其视为一种必要的能力,需要培养才能实现对学生的全面培训。这项研究是在西班牙的一所高中进行的,英语系和49名英语学习者参与了这项研究,他们回答了一些问卷,以考察来自英语课堂环境的教师和学生如何感知与情商相关的问题,如情绪的感知和表达、思维的情绪促进、,对情绪的理解和情绪的调节。此外,它还突出了他们对按照基于项目的学习(PBL)方法提出的一些项目的潜在兴趣。结果显示,参与者对自己和他人的情绪有了越来越多的认识,他们对在EFL课堂上开发情商项目感兴趣。
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引用次数: 0
Echoes from "Fight Club" 来自“搏击俱乐部”的回响
Q1 Arts and Humanities Pub Date : 2022-12-22 DOI: 10.18172/jes.5538
Francisco Collado Rodríguez
This work addresses Chuck Palahniuk’s novel Adjustment Day as a satirical critique of the political radicalization of the USA and as a warning about the dangerous ideological effects narratives may have on our posthumanist understanding of reality. To reach his purposes, the novelist combines three stylistic strategies. First, he creates a satirical story that exposes the condition of American politics, the dangers of radicalized political correctness, and the present risks of populist revolutions. Secondly, he uses explicit metafictional references to Fight Club and to other literary works and critical theories to warn about the dangerous effects that the power of narrative can have. Finally, Palahniuk departs from the minimalist style he used in his earlier and most well-known fiction in favor of a heterodiegetic and omniscience narrative voice that, combined with multiple internal focalizations, endorses a plural, non-categorical understanding of reality. 
本作品将查克·帕拉尼克的小说《调整日》作为对美国政治激进化的讽刺批评,并作为对危险的意识形态影响的警告,这种影响可能对我们后人文主义对现实的理解产生影响。为了达到自己的目的,小说家结合了三种文体策略。首先,他创造了一个讽刺的故事,揭露了美国政治的状况,激进的政治正确的危险,以及民粹主义革命的当前风险。其次,他在《搏击俱乐部》以及其他文学作品和批评理论中使用了明确的元虚构参考,以警告叙事力量可能产生的危险影响。最后,Palahniuk抛弃了他在早期和最著名的小说中使用的极简主义风格,转而支持一种异质叙事和全知叙事的声音,这种声音与多种内部聚焦相结合,支持对现实的多元,非分类的理解。
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引用次数: 0
Old English-Origin Words in a Set Of Medieval Latin Accounts 中世纪拉丁语中的古英语起源词
Q1 Arts and Humanities Pub Date : 2022-12-22 DOI: 10.18172/jes.5521
Amanda Roig-Marín
For a long time, texts in Medieval Latin were poorly regarded for their linguistic hybridity: alongside Classical/post-Classical Latin lexemes, there were many words coming from the vernaculars (in the case of late medieval England, Anglo-French and Middle English) embedded in them. This traditional and restrictive view was superseded by a more nuanced conception of multilingualism, which appreciates the value of this kind of written evidence for our understanding of the multilingual dynamics of medieval texts. The present investigation uses a case study, the Account Rolls of the Abbey of Durham [1278-1538] (Fowler 1898-1901; henceforth, Durham Account Rolls), one of the largest edited and published collections of accounts in Medieval Latin, to discuss broader issues such as how to classify the vernacular lexical items present in medieval multilingual texts (are they borrowings, code-switches, or something else?) and to what extent this vocabulary can be deemed to be integrated/unintegrated into Medieval Latin. Since there are multiple underlying languages in the vernacular vocabulary of the Durham Account Rolls, this article will concentrate on the Old English-origin lexis in these accounts and its relation to Latin and French. An overview of 263 simplex (one-element) Old English-origin forms in the Durham Account Rolls proved to be a source of both basic-level terms and more specialised terminology. Finally, some examples from the most representative semantic domains (equipment, farming, animals, and materials) will be given.
在很长一段时间里,中世纪拉丁语的文本因其语言的混杂性而被忽视:除了古典/后古典拉丁语的词汇外,还有许多来自方言的词汇(在中世纪晚期的英格兰,盎格鲁-法语和中世纪英语的情况下)嵌入其中。这种传统的限制性观点被一种更细致入微的多语言概念所取代,这种多语言概念对我们理解中世纪文本的多语言动态的书面证据的价值表示赞赏。本调查使用了一个案例研究,达勒姆修道院的账簿[1278-1538](福勒1898-1901;因此,《达勒姆账目卷》(Durham Account Rolls)是中世纪拉丁语中最大的编辑和出版的账目合集之一,讨论了更广泛的问题,例如如何对中世纪多语言文本中出现的本地词汇进行分类(它们是借来的,代码转换,还是其他什么?)以及这些词汇在多大程度上可以被认为是整合/未整合到中世纪拉丁语中。由于在《达勒姆账目卷》的方言词汇中有多种潜在的语言,本文将集中讨论这些账目中源自古英语的词汇及其与拉丁语和法语的关系。对Durham Account Rolls中263个单元素古英语起源形式的概述被证明是基础水平术语和更专业术语的来源。最后,将给出一些最具代表性的语义领域(设备、农业、动物和材料)的例子。
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引用次数: 0
Discussing the Feminist Agenda in Margaret Atwood’s Dystopian Novels 论玛格丽特·阿特伍德反乌托邦小说中的女权主义议程
Q1 Arts and Humanities Pub Date : 2022-12-22 DOI: 10.18172/jes.4809
Esther Muñoz González
In this article, an analysis is made of Margaret Atwood’s The Handmaid’s Tale (1985) and MaddAddam (2013) from a gendered and generic perspective. The Handmaid’s Tale was one of the novels that marked the dystopian turn in the 1980s writing of fiction, while MaddAddam is, for some critics, a feminist critical dystopia in which the ending retains hope for a better future. Consequently, both novels belong a priori to a specific branch of the dystopian genre: the feminist dystopian novel. However, some ambiguity or even contradictory readings can be inferred in both texts. This article explores The Handmaid’s Tale and MaddAddam’s portrayal of women and their acts of resistance in order to assess these texts’ liberatory or still inherently conservative messages of their endings, especially regarding women.
本文从性别和一般的角度对玛格丽特·阿特伍德的《使女的故事》(1985)和《马德达姆》(2013)进行了分析。《使女的故事》是标志着20世纪80年代小说创作反乌托邦转变的小说之一,而对一些评论家来说,《马德达姆》是一个女权主义批判的反乌托邦,在这个反乌托邦中,结局保留了对更美好未来的希望。因此,这两部小说都属于反乌托邦类型的一个特定分支:女权主义反乌托邦小说。然而,在这两个文本中都可以推断出一些歧义甚至矛盾的解读。本文探讨了《使女的故事》和马德达姆对女性及其反抗行为的刻画,以评估这些文本对其结局的解放性或本质上仍然保守的信息,尤其是关于女性的信息。
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引用次数: 0
Exploring Anxiety and Self-Efficacy in Writing 写作中的焦虑与自我效能感探析
Q1 Arts and Humanities Pub Date : 2022-12-22 DOI: 10.18172/jes.4746
Selen Göncü, E. Mede
This paper investigates the level and type of writing anxiety among Turkish EFL students along with the causes of the anxiety perceived by them and their instructors. The EFL writing self-efficacy level of the students was examined, and with the findings obtained, the relationship between writing anxiety and writing self-efficacy in EFL classes was investigated. To meet these objectives, 176 (A2, intermediate level) Turkish EFL students and 6 instructors enrolled in a language preparatory program offered by a state university in Istanbul, Turkey participated in the study. The data were gathered both quantitative and qualitatively through the Second Language Writing Anxiety Inventory (SLWAI), Self-efficacy in Writing Scale (SWS), Causes of Writing Anxiety Inventory (CWAI), and semi-structured interviews. The results revealed that the students had either a high or moderate level of writing anxiety in English, and they mostly suffered from cognitive anxiety. Their level of writing self-efficacy was also moderate, and there was a negative correlation between self-efficacy and writing anxiety among the participants. The results of this study suggest implications about coping with anxiety and self-efficacy in writing classes at language preparatory programs. 
本文调查了土耳其EFL学生的写作焦虑水平和类型,以及他们和他们的导师感知到的焦虑的原因。通过对学生英语写作自我效能水平的调查,探讨了英语课堂中写作焦虑与写作自我效能的关系。为了实现这些目标,176名(A2,中级)土耳其EFL学生和6名教师参加了土耳其伊斯坦布尔一所州立大学提供的语言预备课程。数据通过第二语言写作焦虑量表(SLWAI)、写作自我效能感量表(SWS)、写作焦虑原因量表(CWAI)和半结构化访谈进行定量和定性收集。结果表明,学生的英语写作焦虑程度为高或中等,且多为认知焦虑。他们的写作自我效能感水平也中等,自我效能感与写作焦虑呈负相关。这项研究的结果表明,在语言预备课程的写作课上,应对焦虑和自我效能感的意义。
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引用次数: 0
Reassessing Constructions in the ARTEMIS Parser 重新评估ARTEMIS解析器中的结构
Q1 Arts and Humanities Pub Date : 2022-12-22 DOI: 10.18172/jes.5354
Francisco Cortés Rodríguez, Ricardo Mairal Usón
The aim of this study is to reexamine the status of constructions in ARTEMIS (Automatically Representing TExt Meaning via an Interlingua-based System), a Natural Language Understanding prototype that seeks to provide the syntactic and semantic structure of a given fragment in a natural language. The architecture of ARTEMIS has been designed to conform to the tenets of the Lexical Constructional Model (LCM), a theory in which constructions are a central tool for the linguistic description of languages. However, since ARTEMIS is a computational device, there are many formalization requirements which involve the adaptation of the LCM, a process which necessarily leads to reconsidering several issues, as are: (i) what counts as a constructional structure; (ii) how constructions contribute to parsing operations in ARTEMIS; and (iii) the location and the format of constructional patterns. 
本研究的目的是重新审视ARTEMIS(通过基于语言间的系统自动表示文本意义)中的结构状态,这是一种自然语言理解原型,旨在提供自然语言中给定片段的句法和语义结构。ARTEMIS的架构设计符合词汇结构模型(LCM)的原则,该理论认为结构是语言语言描述的中心工具。然而,由于ARTEMIS是一种计算设备,因此有许多形式化要求涉及LCM的适应,这一过程必然导致重新考虑几个问题,如:(i)什么算作构造结构;(ii)结构如何促进ARTEMIS中的解析操作;(三)结构格局的位置和形式。
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引用次数: 0
Automatic Lemmatization of Old English Class III Strong Verbs (L-Y) with ALOEV3 用ALOEV3实现古英语第三类强动词(L-Y)的自动引理
Q1 Arts and Humanities Pub Date : 2022-05-16 DOI: 10.18172/jes.5324
Roberto Torre Alonso
This article presents ALOEV3, a lemmatizer based on Morphological Generation that allows for the type-based automatic lemmatization of Old English Class III strong verbs beginning with the letters L–Y. The lemmatizer operates on the basis of the inflectional, derivational and morpho-phonological alternation rules characteristic of this class. The generated form-types are checked against the two most reputed Old English corpora, namely the Dictionary of Old English Corpus and The York-Toronto-Helsinki Parsed Corpus of Old English Prose to validate their attestations and assign the corresponding lemma. Results show that 97 percent of the validated forms are successfully assigned a single lemma. The remaining inflectional forms (38 out of 1,256) show competition between two lemmas, which implies that despite the high level of accuracy of the lemmatizer, contextual, token-based analysis is still needed for disambiguation. However, the research shows that competition only occurs in a limited set of lemma pairs and their derivatives. Although the research focuses on but one strong verb class, it confirms that exploring the avenues of automatic lemmatization will contribute to the field of Old English lexicography by either lemmatizing attested inflectional form types or by highlighting areas for manual revision.
本文介绍了ALOEV3,一个基于形态学生成的旅语化器,它允许对以字母L–Y开头的古英语第三类强动词进行基于类型的自动旅语化。变位器是根据该类特有的屈折、派生和形态-语音交替规则进行操作的。将生成的形式类型与两个最著名的古英语语料库,即《古英语语料库词典》和《约克-多伦多-赫尔辛基古英语散文解析语料库》进行核对,以验证它们的证明并分配相应的引理。结果表明,97%的验证形式都成功地分配了一个引理。其余的屈折形式(1256个中的38种)显示了两个引理之间的竞争,这意味着尽管引理器的准确性很高,但仍然需要基于上下文的标记分析来消除歧义。然而,研究表明,竞争只发生在有限的引理对及其导数集中。尽管这项研究只关注一个强动词类,但它证实,通过对已证实的屈折形式类型进行旅语化或突出手动修改的区域,探索自动旅语化的途径将有助于古英语词典编纂领域。
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引用次数: 1
Going Down in Herstory: Re-writing Women’s Lives in Michèle Roberts’s “On the Beach at Trouville” 载入史册:改写米歇尔·罗伯茨《在特鲁维尔海滩上》中的女性生活
Q1 Arts and Humanities Pub Date : 2022-04-21 DOI: 10.18172/jes.4784
Silvia García Hernández
Throughout her writing career, Michèle Roberts has been one of the contemporary women writers who has re-constructed and retold the lives of previously forgotten, silenced or marginalised women. In an attempt to re-inscribe their voice, Roberts has re-written history from the female perspective by going back to the lives of female saints, Biblical figures and other female writers. In her last collection of short stories: Mud: Stories of Sex and Love, all the protagonists are women taken from historical or literary texts, to whom she has given voice, providing the reader with new visions of reality. This paper will focus on “On the Beach at Trouville”, and will analyse the strategies Roberts has used both to present the lives of Thérèse of Lisieux and Camille Monet from their own perspectives and to subvert the patriarchal construction of history.
在她的写作生涯中,米歇尔·罗伯茨一直是当代女作家之一,她重建并重新讲述了以前被遗忘、沉默或边缘化的女性的生活。为了重新刻下她们的声音,罗伯茨从女性的角度重新书写历史,回顾了女性圣徒、圣经人物和其他女性作家的生活。在她最近的短篇小说集《泥:性与爱的故事》中,所有的主人公都是历史或文学文本中的女性,她为她们发声,为读者提供了对现实的新视角。本文将以《在特鲁维尔的海滩上》为重点,分析罗伯茨从李修和卡米尔·莫奈各自的视角来呈现他们的生活,并颠覆历史的父权建构的策略。
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引用次数: 1
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Journal of English Studies
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