混血叙事

Gé Speelman
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引用次数: 0

摘要

许多十九世纪的欧洲作家都写过以殖民化进程为背景的小说。殖民地人民的当代文学反思则更为罕见。当代作家阿米塔夫-高什(Amitav Ghosh)试图在其历史小说中重构殖民地人民的观点,让他们发出自己的声音。在他的《伊比斯》三部曲中,他让 "次等人 "发出了不同的声音。戈什以亚利安人的视角叙述新兴殖民主义,特别关注殖民主叙事造成的混杂状况。"混杂 "是霍米-巴巴提出的一个概念。在本文中,我想探究混杂性在戈什的 "朱鹮三部曲 "中,尤其是在他的小说《罂粟花海》中是如何发挥作用的,以及根据戈什的观点,混杂性是否创造了一种应对殖民主义创伤的解放性替代话语。
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Narratives of hybridity
Many nineteenth-century European authors have written novels in which the colonization process played a background role. Much rarer are contemporary literary reflections by colonized people. In an attempt at reconstruction of their points of view, present-day author Amitav Ghosh tries to give the colonized people voice in his historical novels. In his Ibis trilogy, he makes “the subaltern speak” in a diversity of voices. In this rendering of the narrative of emerging colonialism from the viewpoint of subalterns, Ghosh pays special attention to situations of hybridity that are created by the colonial master-narrative. “Hybridity” is a concept that was developed by Homi Bhabha. In this article, I want to investigate how hybridity functions in the Ibis trilogy of Ghosh, especially in his novel Sea of Poppies, and whether hybridity, according to Ghosh, creates a liberating alternative discourse to deal with the traumas of colonialism.
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