带出阿卜杜拉-塔伊亚:性、社会流动性和阅读的话语语境

Q2 Arts and Humanities Contemporary French Civilization Pub Date : 2024-07-02 DOI:10.3828/cfc.2024.9
Bishupal Limbu
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引用次数: 0

摘要

与同性恋和同性恋相关的思想和论述为理解摩洛哥作家阿卜杜拉-塔伊亚的作品提供了一个有用且相关的批评框架。我的文章通过讨论对贫困和社会流动性的描写扩展了这一现有的参考框架,我认为这是塔伊亚作品中同样有意义但却被忽视的一个方面。我通过说明羞耻感不仅与性有关,也与社会阶层有关,来展开这一论点。为了进行比较,我研究了迪迪埃-埃里邦(Didier Éribon)和爱德华-路易斯(Édouard Louis)的作品,他们和塔伊亚一样,都是工人阶级出身的同性恋作家。尽管塔伊阿与埃里邦和路易具有这些共同的特点,但他们的作品与埃里邦和路易的作品在构思和评论界的接受程度上却有很大不同。本文通过探讨 "阶级转移 "现象以及种族和殖民性缺失所起的关键作用,研究了造成这种差异的原因。将同性恋叙事与贫困叙事联系起来,提出了一种关注不同话语语境的辩证阅读模式。
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Bringing out Abdellah Taïa: sexuality, social mobility, and the discursive contexts of reading
The ideas and discourse associated with homosexuality and queerness provide a useful and relevant critical framework for understanding Moroccan writer Abdellah Taïa’s works. My essay expands this existing frame of reference by discussing the portrayal of poverty and social mobility, which I argue is an equally meaningful yet neglected aspect of Taïa’s writings. I develop this argument by showing that shame is linked not only to sexuality but also to social class. For a comparative perspective, I examine texts by Didier Éribon and Édouard Louis, who, like Taïa, are queer writers from a working-class background. Despite these shared characteristics, there is a significant difference in the framing and critical reception of Taïa’s writings, on the one hand, and those of Éribon and Louis, on the other. This essay investigates the reasons for this difference by exploring the phenomenon of the transfuge de classe and the crucial role played by the absent dimensions of race and coloniality. Situating narratives of queerness and poverty in relation to each other suggests a dialectical mode of reading attentive to different discursive contexts.
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来源期刊
Contemporary French Civilization
Contemporary French Civilization Arts and Humanities-History
CiteScore
0.30
自引率
0.00%
发文量
23
期刊最新文献
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