关于爆炸:原因与脱口秀喜剧演员的应变策略

Megan Gogerty
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摘要

摘要:对于脱口秀喜剧演员来说,"炸"--即无法逗笑观众,导致表演失败、不尽人意,甚至可能是羞辱性的--感觉非常糟糕。这也是不可避免的。最终,即使是最熟练、最老练的喜剧演员也会遭遇失误。如果观众不理解或不同意他们的材料,或者他们未能与观众建立足够的默契,喜剧演员就会失败。有时,发生 "炸 "的原因远非喜剧演员所能控制。不过,有些做法即使不能完全避免 "轰炸",也能减弱 "轰炸 "的影响。我从自己作为单口相声喜剧演员的研究实践中,结合对喜剧研究学术成果的细读,总结出喜剧演员可以采取的几种方法,以减轻舞台上的 "轰炸"。喜剧演员可以转变心态,不再追逐笑点。他们可以专注于讲真话和自娱自乐。最后,喜剧演员可以对当下抱有一种好玩的好奇心,这种好奇心可以引导他们度过灾难。虽然 "轰炸 "并不令人愉快,但却能给人启发。
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On Bombing: Causes and Strategies of Resilience for Stand-Up Comedians
Abstract: For stand-up comedians, bombing—that is, failing to make an audience laugh, resulting in a sour, unsatisfying, and perhaps humiliating performance—feels terrible. It is also an inevitability. Eventually, even the most skilled and seasoned comedian will suffer a misfire. Comedians bomb if the audience doesn’t understand or agree with their material or if they fail to create sufficient rapport with their audience. Sometimes bombing occurs for reasons well outside the comedian’s control. However, there are some practices that can blunt the effects of bombing, if not avoid it altogether. Drawing from my own practice-as-research as a stand-up comedian, coupled with close readings of comedy studies scholarship, I delineate several approaches comedians can take to mitigate bombing on stage. Comedians can shift their mindset away from chasing laughs. They can focus on telling the truth and amusing themselves. Finally, they can adopt a playful curiosity about the present moment that can steer them through disaster. While bombing is not pleasant, it can be instructive.
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