墨西哥伊卡洛斯:航空与墨西哥身份的现代化,1928-1960 年》,作者 Peter B. Soland(评论)

IF 0.8 3区 哲学 Q2 HISTORY & PHILOSOPHY OF SCIENCE Technology and Culture Pub Date : 2024-07-19 DOI:10.1353/tech.2024.a933110
Michael K. Bess
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The strengths of <em>Mexican Icarus</em> lie in Soland’s narratives of the people (mostly men, as he acknowledges) who championed aviation; their biographies serve as framing for a larger national narrative of how elites and average people interpreted the importance of flight. For example, Soland writes about Emilio Carranza—from a wealthy northern family and the nephew of a former president—who became known as the “Mexican Lindbergh” for his aeronautical feats. Following a plane crash that took his life, in death he became a “martyr” of modernization, which inspired others to take up flight.</p> <p>As Soland shows, however, most Mexicans could not afford the costs for training to become pilots. People wrote the left-populist president Lázaro Cárdenas for financial help, but the economic conditions of the 1930s and 1940s meant that many aviators either came from wealth or had backgrounds in the Mexican armed forces. Despite the barriers to flight, Soland does share one inspiring and astonishing case of a young man from the countryside making good on his dream to be an aviator. Miguel Carrillo Ayala built his own plane, relying on manuals translated into Spanish and a focus bordering on obsessive to achieve his goal. The government took notice and supported his work; when he flew from his hometown in Michoacán and landed in Mexico City, the achievement made headlines across the country. Soland notes that the extraordinary circumstances of Carrillo’s journey highlighted the challenges most people faced if they hoped to fly.</p> <p>Reading <em>Mexican Icarus</em>, one comes away with an understanding that most Mexicans experienced flight as spectators. Whether consuming news reports on the radio or in print, or attending the takeoff and landings of celebrity “goodwill aviators” or the funeral of one of these “martyrs” after a crash, average people were passive consumers of aviation. In this way, the line between aviators and celebrities was a thin one. For decades, aviators like Carranza, Francisco Sarabia, and others captivated the public’s imagination, especially in the collective ceremonies surrounding their deaths. Soland notes a turning point with the plane crash that killed the famous Mexican movie star Pedro Infante, who was also an avid pilot. He writes, “Simply put, there <strong>[End Page 1008]</strong> were no more aviation celebrities in the country by 1957, only a celebrity who happened to be an aviator” (p. 220).</p> <p>Throughout the book, Soland ties the national story of aviation in Mexico to broader international currents underway through the twentieth century. In this way, the narrative in <em>Mexican Icarus</em> does not occur within a vacuum, but rather it contextualizes the Mexican experience with flight with parallels elsewhere in Latin America, as well as with aviators in the United States, Western Europe, and the Soviet Union. Nevertheless, while the author does engage with the history and mentions some important authors from the field, he does not dialogue in a meaningful way with the historiography of aviation, leaving readers to make the connections across this scholarly literature.</p> <p>There are some glaring omissions that Soland does not unpack, however. For instance, despite much attention paid to Compañía Mexicana de Aviación, there is no mention of the country’s other major carrier, Aerovías de México (better known as Aeroméxico), founded in 1934. There is also not a clear understanding of how many Mexicans were flying during this history. 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Bess (bio) </li> </ul> <em>Mexican Icarus: Aviation and the Modernization of Mexican Identity, 1928–1960</em><br/> By Peter B. Soland. Pittsburgh: University of Pittsburgh Press, 2023. Pp. 256. <p>Peter B. Soland’s <em>Mexican Icarus</em> explores the intersection of culture, technology, and celebrity in modernizing Mexico. The author notes that it is “the first monograph-length, scholarly analysis of aviation development in Mexico” (p. 16). He considers how the aviation industry, and aviators in particular, played a key role in the reconstruction of the Mexican state and society following the 1910 revolution. The strengths of <em>Mexican Icarus</em> lie in Soland’s narratives of the people (mostly men, as he acknowledges) who championed aviation; their biographies serve as framing for a larger national narrative of how elites and average people interpreted the importance of flight. For example, Soland writes about Emilio Carranza—from a wealthy northern family and the nephew of a former president—who became known as the “Mexican Lindbergh” for his aeronautical feats. Following a plane crash that took his life, in death he became a “martyr” of modernization, which inspired others to take up flight.</p> <p>As Soland shows, however, most Mexicans could not afford the costs for training to become pilots. People wrote the left-populist president Lázaro Cárdenas for financial help, but the economic conditions of the 1930s and 1940s meant that many aviators either came from wealth or had backgrounds in the Mexican armed forces. Despite the barriers to flight, Soland does share one inspiring and astonishing case of a young man from the countryside making good on his dream to be an aviator. Miguel Carrillo Ayala built his own plane, relying on manuals translated into Spanish and a focus bordering on obsessive to achieve his goal. The government took notice and supported his work; when he flew from his hometown in Michoacán and landed in Mexico City, the achievement made headlines across the country. Soland notes that the extraordinary circumstances of Carrillo’s journey highlighted the challenges most people faced if they hoped to fly.</p> <p>Reading <em>Mexican Icarus</em>, one comes away with an understanding that most Mexicans experienced flight as spectators. Whether consuming news reports on the radio or in print, or attending the takeoff and landings of celebrity “goodwill aviators” or the funeral of one of these “martyrs” after a crash, average people were passive consumers of aviation. In this way, the line between aviators and celebrities was a thin one. For decades, aviators like Carranza, Francisco Sarabia, and others captivated the public’s imagination, especially in the collective ceremonies surrounding their deaths. Soland notes a turning point with the plane crash that killed the famous Mexican movie star Pedro Infante, who was also an avid pilot. He writes, “Simply put, there <strong>[End Page 1008]</strong> were no more aviation celebrities in the country by 1957, only a celebrity who happened to be an aviator” (p. 220).</p> <p>Throughout the book, Soland ties the national story of aviation in Mexico to broader international currents underway through the twentieth century. In this way, the narrative in <em>Mexican Icarus</em> does not occur within a vacuum, but rather it contextualizes the Mexican experience with flight with parallels elsewhere in Latin America, as well as with aviators in the United States, Western Europe, and the Soviet Union. 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引用次数: 0

摘要

评论者 Mexican Icarus: Aviation and the Modernization of Mexican Identity, 1928-1960 by Peter B. Soland Michael K. Bess (bio) Mexican Icarus: Aviation and the Modernization of Mexican Identity, 1928-1960 By Peter B. Soland.匹兹堡:匹兹堡大学出版社,2023 年。第 256 页。彼得-B-索兰德的《墨西哥伊卡洛斯》探讨了墨西哥现代化过程中文化、技术和名人的交集。作者指出,这是 "第一部对墨西哥航空发展进行学术分析的专著"(第 16 页)。他探讨了航空业,尤其是飞行员如何在 1910 年革命后墨西哥国家和社会的重建中发挥了关键作用。墨西哥伊卡洛斯》的优势在于索兰德对航空业倡导者(正如他所承认的那样,大多为男性)的叙述;他们的传记为更大范围的国家叙述提供了框架,说明了精英和普通人如何理解飞行的重要性。例如,索兰德写到埃米利奥-卡兰萨(Emilio Carranza)--出身于一个富裕的北方家庭,是一位前总统的侄子--因其在航空方面的成就而被称为 "墨西哥林白"。卡兰萨因飞机失事而丧生,死后成为现代化的 "殉道者",激励着其他人走上飞行之路。然而,正如索兰德所指出的,大多数墨西哥人都无法承担成为飞行员的培训费用。人们写信给左翼民粹主义总统拉萨罗-卡德纳斯(Lázaro Cárdenas)寻求财政帮助,但二十世纪三四十年代的经济条件意味着许多飞行员要么来自富裕家庭,要么拥有墨西哥武装部队的背景。尽管飞行障碍重重,索兰德还是分享了一个鼓舞人心的惊人案例:一位来自农村的年轻人实现了自己的飞行梦想。米格尔-卡里略-阿亚拉(Miguel Carrillo Ayala)自己制造飞机,依靠翻译成西班牙语的手册和近乎痴迷的专注来实现自己的目标。政府注意到并支持他的工作;当他从家乡米却肯州飞到墨西哥城降落时,这一成就成为全国的头条新闻。索兰德指出,卡里略的非凡旅程凸显了大多数人在希望飞行时所面临的挑战。阅读《墨西哥伊卡洛斯》一书,人们会明白,大多数墨西哥人都是以旁观者的身份体验飞行的。无论是收听广播或阅读报刊上的新闻报道,还是参加名人 "亲善飞行员 "的起飞和着陆仪式,抑或是这些 "烈士 "坠机后的葬礼,普通人都是航空的被动消费者。这样一来,飞行员和名人之间的界限就很薄了。几十年来,卡兰萨、弗朗西斯科-萨拉维亚等飞行员吸引了公众的想象力,尤其是在围绕他们死亡的集体仪式上。索兰德指出,墨西哥著名影星佩德罗-英凡特(Pedro Infante)的坠机事件是一个转折点,他也是一名狂热的飞行员。他写道:"简而言之,到 1957 年,墨西哥不再有航空名人,只有碰巧是飞行员的名人"(第 220 页)。在整本书中,索兰德将墨西哥的国家航空故事与整个二十世纪更广泛的国际潮流联系在一起。这样,《墨西哥伊卡洛斯》中的叙述就不是在真空中进行的,而是将墨西哥的飞行经历与拉丁美洲其他地方以及美国、西欧和苏联的飞行员相联系。不过,虽然作者确实参与了历史研究,并提到了该领域的一些重要作者,但他并没有以一种有意义的方式与航空史学进行对话,而是让读者在这些学术文献之间建立联系。不过,索兰德也有一些明显的疏漏没有加以解释。例如,尽管墨西哥航空公司备受关注,但书中并未提及该国的另一家主要航空公司--成立于 1934 年的墨西哥航空公司(Aerovías de México,又称墨西哥航空)。在这段历史中,有多少墨西哥人乘坐过飞机也没有一个清晰的概念。索兰德提供了一张 1929 年至 1933 年 "记录在案的乘客总人数(以千人计)"的政府数据图表(第 77 页);将其与其他国家的类似信息进行比较会有所帮助。
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Mexican Icarus: Aviation and the Modernization of Mexican Identity, 1928–1960 by Peter B. Soland (review)

Reviewed by:

  • Mexican Icarus: Aviation and the Modernization of Mexican Identity, 1928–1960 by Peter B. Soland
  • Michael K. Bess (bio)
Mexican Icarus: Aviation and the Modernization of Mexican Identity, 1928–1960
By Peter B. Soland. Pittsburgh: University of Pittsburgh Press, 2023. Pp. 256.

Peter B. Soland’s Mexican Icarus explores the intersection of culture, technology, and celebrity in modernizing Mexico. The author notes that it is “the first monograph-length, scholarly analysis of aviation development in Mexico” (p. 16). He considers how the aviation industry, and aviators in particular, played a key role in the reconstruction of the Mexican state and society following the 1910 revolution. The strengths of Mexican Icarus lie in Soland’s narratives of the people (mostly men, as he acknowledges) who championed aviation; their biographies serve as framing for a larger national narrative of how elites and average people interpreted the importance of flight. For example, Soland writes about Emilio Carranza—from a wealthy northern family and the nephew of a former president—who became known as the “Mexican Lindbergh” for his aeronautical feats. Following a plane crash that took his life, in death he became a “martyr” of modernization, which inspired others to take up flight.

As Soland shows, however, most Mexicans could not afford the costs for training to become pilots. People wrote the left-populist president Lázaro Cárdenas for financial help, but the economic conditions of the 1930s and 1940s meant that many aviators either came from wealth or had backgrounds in the Mexican armed forces. Despite the barriers to flight, Soland does share one inspiring and astonishing case of a young man from the countryside making good on his dream to be an aviator. Miguel Carrillo Ayala built his own plane, relying on manuals translated into Spanish and a focus bordering on obsessive to achieve his goal. The government took notice and supported his work; when he flew from his hometown in Michoacán and landed in Mexico City, the achievement made headlines across the country. Soland notes that the extraordinary circumstances of Carrillo’s journey highlighted the challenges most people faced if they hoped to fly.

Reading Mexican Icarus, one comes away with an understanding that most Mexicans experienced flight as spectators. Whether consuming news reports on the radio or in print, or attending the takeoff and landings of celebrity “goodwill aviators” or the funeral of one of these “martyrs” after a crash, average people were passive consumers of aviation. In this way, the line between aviators and celebrities was a thin one. For decades, aviators like Carranza, Francisco Sarabia, and others captivated the public’s imagination, especially in the collective ceremonies surrounding their deaths. Soland notes a turning point with the plane crash that killed the famous Mexican movie star Pedro Infante, who was also an avid pilot. He writes, “Simply put, there [End Page 1008] were no more aviation celebrities in the country by 1957, only a celebrity who happened to be an aviator” (p. 220).

Throughout the book, Soland ties the national story of aviation in Mexico to broader international currents underway through the twentieth century. In this way, the narrative in Mexican Icarus does not occur within a vacuum, but rather it contextualizes the Mexican experience with flight with parallels elsewhere in Latin America, as well as with aviators in the United States, Western Europe, and the Soviet Union. Nevertheless, while the author does engage with the history and mentions some important authors from the field, he does not dialogue in a meaningful way with the historiography of aviation, leaving readers to make the connections across this scholarly literature.

There are some glaring omissions that Soland does not unpack, however. For instance, despite much attention paid to Compañía Mexicana de Aviación, there is no mention of the country’s other major carrier, Aerovías de México (better known as Aeroméxico), founded in 1934. There is also not a clear understanding of how many Mexicans were flying during this history. Soland shares a graph of government data on “total recorded passengers transported (in thousands)” from 1929 to 1933 (p. 77); comparing it with similar information from other countries would have helped...

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来源期刊
Technology and Culture
Technology and Culture 社会科学-科学史与科学哲学
CiteScore
0.60
自引率
14.30%
发文量
225
审稿时长
>12 weeks
期刊介绍: Technology and Culture, the preeminent journal of the history of technology, draws on scholarship in diverse disciplines to publish insightful pieces intended for general readers as well as specialists. Subscribers include scientists, engineers, anthropologists, sociologists, economists, museum curators, archivists, scholars, librarians, educators, historians, and many others. In addition to scholarly essays, each issue features 30-40 book reviews and reviews of new museum exhibitions. To illuminate important debates and draw attention to specific topics, the journal occasionally publishes thematic issues. Technology and Culture is the official journal of the Society for the History of Technology (SHOT).
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