{"title":"离开；或，清醒地凝视着虚无（与宠物店男孩合作）","authors":"Mikko Tuhkanen","doi":"10.1353/pmc.2023.a931361","DOIUrl":null,"url":null,"abstract":"<p><p>Abstract:</p><p>This essay identifies two modes of \"escape\" in the \"gay fugues\" of Pet Shop Boys, differentiated by their (non)fascist potential. To trace this potential, the essay engages the work of Lee Edelman, Leo Bersani, and Ernesto Laclau, while extracting further lessons from Stefan Zweig, Village People, Russian history, Fourierism, AIDS eulogies, West Side Story, and the mathematics of zero.</p></p>","PeriodicalId":55953,"journal":{"name":"POSTMODERN CULTURE","volume":"1 1","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2024-07-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Leaving; or, Wide Awake and Staring into Nothing (with Pet Shop Boys)\",\"authors\":\"Mikko Tuhkanen\",\"doi\":\"10.1353/pmc.2023.a931361\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<p><p>Abstract:</p><p>This essay identifies two modes of \\\"escape\\\" in the \\\"gay fugues\\\" of Pet Shop Boys, differentiated by their (non)fascist potential. To trace this potential, the essay engages the work of Lee Edelman, Leo Bersani, and Ernesto Laclau, while extracting further lessons from Stefan Zweig, Village People, Russian history, Fourierism, AIDS eulogies, West Side Story, and the mathematics of zero.</p></p>\",\"PeriodicalId\":55953,\"journal\":{\"name\":\"POSTMODERN CULTURE\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2024-07-23\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"POSTMODERN CULTURE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/pmc.2023.a931361\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"POSTMODERN CULTURE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/pmc.2023.a931361","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Leaving; or, Wide Awake and Staring into Nothing (with Pet Shop Boys)
Abstract:
This essay identifies two modes of "escape" in the "gay fugues" of Pet Shop Boys, differentiated by their (non)fascist potential. To trace this potential, the essay engages the work of Lee Edelman, Leo Bersani, and Ernesto Laclau, while extracting further lessons from Stefan Zweig, Village People, Russian history, Fourierism, AIDS eulogies, West Side Story, and the mathematics of zero.
期刊介绍：
Founded in 1990 as a groundbreaking experiment in scholarly publishing on the Internet, Postmodern Culture has become a leading electronic journal of interdisciplinary thought on contemporary culture. PMC offers a forum for commentary, criticism, and theory on subjects ranging from identity politics to the economics of information.
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