就 Dhadhak Merak Reyog Ponorogo 的视觉发展现象解读 Ponoragan 视觉文化

Romzi Akram Al Naufal, D. Djatiprambudi, Setyo Yanuartuti
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摘要

达达克梅拉克面具是雷约格-波诺罗戈的标志性面具。经过漫长的岁月,达达克-梅拉克在视觉上逐渐演变成今天人们经常看到的形态。这种视觉现象形成了波诺拉格视觉文化的形象,值得深入探讨。这也是吸引笔者关注并重点回顾的地方:1) 随着时间的推移,达达克梅拉克的视觉发展现象;2) 在达达克梅拉克中解读波诺拉格视觉文化。本研究属于描述性定性研究,采用文献研究和档案文献的数据收集技术。在解读 dhadhak merak 视觉文化的过程中,作者从视觉结构、功能、价值和意义几个方面进行了回顾。研究结果如下:1)达达克梅拉克从简单的达达克到今天常见的形式,经历了七个发展阶段。2) 达达克-梅拉克的视觉结构、功能、历史价值和意义是根据波诺拉戈人从万物有灵论-道教、印度教-佛教、伊斯兰教时代到当代的文化构建的。因此,波诺拉格文化作为一种非常强烈的身份标志,可以在达达克梅拉克视觉文化艺术品中得到反映。
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Reading Ponoragan Visual Culture on The Visual Development Phenomenon of Dhadhak Merak Reyog Ponorogo
The dhadhak merak is an iconic mask in Reyog Ponorogo. Over a very long period of time, the dhadhak merak has visually evolved into the form that is often seen today. The visual phenomenon then forms an image of Ponoragan visual culture that is interesting to explore in greater depth. This is what attracts the author's attention to focus on reviewing: 1) The phenomenon of visual development of dhadhak merak over time and 2) Reading Ponoragan visual culture in dhadhak merak. This research is a descriptive qualitative research, with data collection techniques using literature studies and archival documentation. In the process of reading the visual culture of dhadhak merak, the author conducted a review from several aspects, namely: visual structure, function, value, and meaning. The results of this study are 1) The dhadhak merak has undergone seven phases of development starting from its simple dhadhak to the form that is commonly found today. 2) The visual structure, function, historical value, and meaning of the dhadhak merak are constructed on the culture of the people of Ponorogo itself starting from the era of animism-dynamism, Hindu-Buddhism, Islam, to the present era. From that, the Ponoragan culture as a very strong identity marker can be reflected in the dhadhak merak visual culture artifact.
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