关于建筑的未来

Alexander Rappaport
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引用次数: 0

摘要

在后先锋派文化中,未来已成为人们渴望的对象和显而易见的价值。每一种新事物都应被视为毋庸置疑的美好事物,这种无可争议的信念是无数乌托邦和臆想的核心所在。在这些乌托邦中,对未来的憧憬通常与超大尺度和不寻常的形状联系在一起。建筑的未来问题在很大程度上变成了其实质性基础的问题。矛盾的是,未来的完整形象被视为石头建筑。但这甚至不是形式和实质的问题,而是恢复社会对建筑的理解,就像以前的贵族精英对建筑的理解一样。建筑的消费者是全人类。随着思想和活动机构的发展,建筑的未来也将随之发展。
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On the future of architecture
In postavantgarde culture, the future has become an object of desire and obvious value. The uncontested belief that every new thing should be accepted as an undoubted good lies at the heart of numerous utopias and speculations. Visions of the future in such utopias are usually associated with hyperscales and unusual shapes. The question of the future of architecture is largely turning into a problem of its substantial basis. Paradoxically, the full-fledged image of the future is seen as architecture made of stone. But it is not even about forms and substantiality, but about restoring the understanding of architecture in society, comparable to the understanding of architecture by the former aristocratic elite. The consumer of architecture is the whole humanity. As institutions of thought and activity will develop, so will the future of architecture.
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