{"title":"Georges Didi-Huberman 和 João Moreira Salles 的作品《No Intenso Agora》中起义的来世。","authors":"Stijn De Cauwer","doi":"10.1080/14735784.2024.2371016","DOIUrl":null,"url":null,"abstract":"In the exhibition Soulèvements, curated by Georges Didi-Huberman, various manifestations of gestures indicating the desire to rise up were displayed. This exhibition triggered the criticism of deco...","PeriodicalId":43943,"journal":{"name":"Culture Theory and Critique","volume":null,"pages":null},"PeriodicalIF":0.7000,"publicationDate":"2024-08-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The afterlife of uprisings in the work of Georges Didi-Huberman and João Moreira Salles’ No Intenso Agora.\",\"authors\":\"Stijn De Cauwer\",\"doi\":\"10.1080/14735784.2024.2371016\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In the exhibition Soulèvements, curated by Georges Didi-Huberman, various manifestations of gestures indicating the desire to rise up were displayed. This exhibition triggered the criticism of deco...\",\"PeriodicalId\":43943,\"journal\":{\"name\":\"Culture Theory and Critique\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.7000,\"publicationDate\":\"2024-08-08\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Culture Theory and Critique\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/14735784.2024.2371016\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Culture Theory and Critique","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14735784.2024.2371016","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
The afterlife of uprisings in the work of Georges Didi-Huberman and João Moreira Salles’ No Intenso Agora.
In the exhibition Soulèvements, curated by Georges Didi-Huberman, various manifestations of gestures indicating the desire to rise up were displayed. This exhibition triggered the criticism of deco...
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