中国四川石窟彩绘中翠绿色颜料的降解情况

IF 3.5 2区 综合性期刊 0 ARCHAEOLOGY Journal of Cultural Heritage Pub Date : 2024-07-30 DOI:10.1016/j.culher.2024.07.003
Feng Sun, Ruosu Wang, Daishi Qi, Haihong Yan
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引用次数: 0

摘要

19 世纪和 20 世纪,翠绿色颜料被广泛用于文物彩绘。然而,这种颜料本身并不稳定,会导致一定程度的降解,因此其降解机理引起了研究学者的广泛关注。以往的研究主要依赖于对个别样品的成分分析,因此只能观察到某一阶段的降解结果,无法反映其动态变化过程。中国四川地区拥有大量石窟和摩崖造像,其中许多都经历了现代重绘。本研究以这些文物中的绿色颜料为重点,旨在捕捉翡翠绿在不同阶段的降解产物。这种方法有望更系统、更全面地了解降解过程,从而推动对其降解机制的探索。本研究从四川地区五个不同的彩绘石窟中采集了 15 个绿色颜料样品进行分析。通过技术分析方法,确定了翡翠绿颜料(Cu(C2H3O2)2-3Cu(AsO2)2)的存在,以及其他几种含有铜和砷元素的物质、如 Lavendulan(NaCaCu5(AsO4)4Cl-5H2O)、砷酸铜(Cu3(AsO4)2)、碱性砷酸铜化合物 Cu3(AsO4)(OH)3、Cu2(AsO4)(OH)-3H2O 和 Cu(AsO3OH)-2H2O。这些物质的元素组成、化学结构和拉曼光谱表现出明显的联系和递进关系。本研究首次阐明了类似共存环境下文物中翡翠绿颜料的多种降解产物。它初步勾勒出一条降解路线,即:(1)Cu(C2H3O2)2-3Cu(AsO2)2 氧化分解→形成 Cu3(AsO4)2、碱性砷酸铜化合物和 Ca(C2O4)-H2O;(2)Cu3(AsO4)2、碱性砷酸铜化合物转化→形成 NaCaCu5(AsO4)4Cl-5H2O。在整个过程中,宏观颜色由绿色变为蓝色。
本文章由计算机程序翻译,如有差异,请以英文原文为准。

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Degradation of emerald green pigment in painted grottoes in Sichuan, China

Emerald green pigment was widely used in painted cultural artifacts during the 19th and 20th centuries. However, this pigment is inherently unstable, leading to a certain degree of degradation, thereby capturing the widespread attention of research scholars due to its degradation mechanisms. Previous studies primarily relied on the compositional analysis of individual samples, thus only observing the results of the degradation at a certain stage without reflecting the dynamic process of change. The Sichuan region in China hosts a large number of grottoes and cliff statues, many of which have undergone modern repainting. Focusing on the green pigment from these cultural relics, this research aims to capture the degradation products of emerald green at different stages. This approach promises a more systematic and comprehensive understanding of the degradation process, consequently advancing the exploration of its degradation mechanisms. In this study, 15 green pigment samples from five different painted grottoes in the Sichuan region were collected for analysis. Employing technological analytical methods, the presence of emerald green pigment (Cu(C2H3O2)2·3Cu(AsO2)2) was identified, along with several other substances containing Cu and As elements, such as Lavendulan (NaCaCu5(AsO4)4Cl·5H2O), copper arsenate (Cu3(AsO4)2), alkaline arsenate copper compounds Cu3(AsO4)(OH)3, Cu2(AsO4)(OH)·3H2O and Cu(AsO3OH)·2H2O. The elemental compositions, chemical structures, and Raman spectra of these substances exhibit obvious connections and progressive relationships. This study, for the first time, elucidates the diverse degradation products of emerald green pigment from cultural artifacts within similar coexistence environments. It outlines a tentative degradation route, namely: (1) Oxidation and decomposition of Cu(C2H3O2)2·3Cu(AsO2)2 → Formation of Cu3(AsO4)2, alkaline arsenate copper compounds and Ca(C2O4)·H2O; (2) Transformation of Cu3(AsO4)2, alkaline arsenate copper compounds→ Formation of NaCaCu5(AsO4)4Cl·5H2O. Throughout this process, the macroscopic color changes from green to blue.

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来源期刊
Journal of Cultural Heritage
Journal of Cultural Heritage 综合性期刊-材料科学:综合
CiteScore
6.80
自引率
9.70%
发文量
166
审稿时长
52 days
期刊介绍: The Journal of Cultural Heritage publishes original papers which comprise previously unpublished data and present innovative methods concerning all aspects of science and technology of cultural heritage as well as interpretation and theoretical issues related to preservation.
期刊最新文献
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