{"title":"Gibson Les Paul \"吉他--概念、原型和生产：反事实研究","authors":"Darryl Martin","doi":"10.1080/01411896.2024.2376347","DOIUrl":null,"url":null,"abstract":"The use of counterfactuals (“what-ifs”) has been a recognized approach in some fields within the humanities, in particular military history, where alternate scenarios can be readily proposed. As an...","PeriodicalId":42616,"journal":{"name":"JOURNAL OF MUSICOLOGICAL RESEARCH","volume":"29 1 1","pages":""},"PeriodicalIF":0.4000,"publicationDate":"2024-08-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The “Gibson Les Paul” Guitar—Conception, Prototype and Production: A Study Through Counterfactuals\",\"authors\":\"Darryl Martin\",\"doi\":\"10.1080/01411896.2024.2376347\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The use of counterfactuals (“what-ifs”) has been a recognized approach in some fields within the humanities, in particular military history, where alternate scenarios can be readily proposed. As an...\",\"PeriodicalId\":42616,\"journal\":{\"name\":\"JOURNAL OF MUSICOLOGICAL RESEARCH\",\"volume\":\"29 1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2024-08-14\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"JOURNAL OF MUSICOLOGICAL RESEARCH\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/01411896.2024.2376347\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"JOURNAL OF MUSICOLOGICAL RESEARCH","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/01411896.2024.2376347","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
The “Gibson Les Paul” Guitar—Conception, Prototype and Production: A Study Through Counterfactuals
The use of counterfactuals (“what-ifs”) has been a recognized approach in some fields within the humanities, in particular military history, where alternate scenarios can be readily proposed. As an...
期刊介绍：
The Journal of Musicological Research publishes original articles on all aspects of the discipline of music: historical musicology, style and repertory studies, music theory, ethnomusicology, music education, organology, and interdisciplinary studies. Because contemporary music scholarship addresses critical and analytical issues from a multiplicity of viewpoints, the Journal of Musicological Research seeks to present studies from all perspectives, using the full spectrum of methodologies. This variety makes the Journal a place where scholarly approaches can coexist, in all their harmony and occasional discord, and one that is not allied with any particular school or viewpoint.
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