{"title":"\"谁在那里？论戏剧和剧场入口的危机结构","authors":"Juliane Vogel","doi":"10.1080/00168890.2024.2372777","DOIUrl":null,"url":null,"abstract":"This article examines the act of making an entrance as a constitutive but long-neglected formal device of drama. Against an Aristotelian view that considers plot the central dramatic device, it dra...","PeriodicalId":516871,"journal":{"name":"The Germanic Review: Literature, Culture, Theory","volume":"21 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-08-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"“Who’s there?”: On the Crisis Structure of Entrances in Drama and Theater\",\"authors\":\"Juliane Vogel\",\"doi\":\"10.1080/00168890.2024.2372777\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article examines the act of making an entrance as a constitutive but long-neglected formal device of drama. Against an Aristotelian view that considers plot the central dramatic device, it dra...\",\"PeriodicalId\":516871,\"journal\":{\"name\":\"The Germanic Review: Literature, Culture, Theory\",\"volume\":\"21 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2024-08-26\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Germanic Review: Literature, Culture, Theory\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/00168890.2024.2372777\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Germanic Review: Literature, Culture, Theory","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/00168890.2024.2372777","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
“Who’s there?”: On the Crisis Structure of Entrances in Drama and Theater
This article examines the act of making an entrance as a constitutive but long-neglected formal device of drama. Against an Aristotelian view that considers plot the central dramatic device, it dra...
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