古埃及宇宙学小故事:银河系的首个视觉证据和棺木中对天空女神坚果的描绘趋势

Or Graur
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摘要

一些研究认为,银河是古埃及天空女神努特的代表。在这里,我通过考察古埃及棺材上对努特的视觉描绘来验证这一假设。我收集了一份包含 555 个棺材元素的目录,其中包括来自 21/22 世纪的 118 个宇宙小插图,并报告了几点观察结果。首先,我发现 Nesitaudjatakhet 外棺上的宇宙学图案具有一个独特的特征:一条粗大、起伏的黑色曲线将 Nut 星罗棋布的身体一分为二,让人想起将银河系一分为二的大裂谷。此外,它还与纳瓦霍人、霍皮人和苏尼人身上被认定为银河的类似特征相似。因此,我认为坚果身体上的起伏曲线是埃及考古记录中首次发现的银河的视觉表现。然而,它的稀有性加强了格拉尔(2024a)得出的结论:虽然坚果和银河有联系,但它们并不是同义词。与其说银河是坚果的代表,不如说它是另一种天体现象,就像太阳和星星一样,与作为天空的坚果联系在一起。其次,只有四分之一的小故事用星星装饰坚果的身体。如果我们把坚果的裸体和星星装饰的身体分别与白天和夜晚的天空联系起来,那么我们就会在一半的小故事中看到星星。这个零假设在统计显著性上>$6/sigma$时被拒绝。最后,我讨论了从新王国到罗马时期棺椁内的努特宇宙学小插图和全长肖像之间的相互作用,以说明努特作为棺椁的化身,同时扮演着宇宙学和末世论的双重角色。
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The Ancient Egyptian Cosmological Vignette: First Visual Evidence of the Milky Way and Trends in Coffin Depictions of the Sky Goddess Nut
Several studies have argued that the Milky Way was a representation of the ancient Egyptian sky goddess Nut. Here, I test this assumption by examining Nut's visual depictions on ancient Egyptian coffins. I assemble a catalog of 555 coffin elements, which includes 118 cosmological vignettes from the 21st/22nd Dynasties, and report several observations. First, I find that the cosmological vignette on the outer coffin of Nesitaudjatakhet bears a unique feature: a thick, undulating black curve that bisects Nut's star-studded body and recalls the Great Rift that cleaves the Milky Way in two. Moreover, it resembles similar features identified as the Milky Way on the bodies of Navajo, Hopi, and Zuni spiritual beings. Hence, I argue that the undulating curve on Nut's body is the first visual representation of the Milky Way identified in the Egyptian archaeological record. However, its rarity strengthens the conclusion reached by Graur (2024a): Though Nut and the Milky Way are linked, they are not synonymous. Instead of acting as a representation of Nut, the Milky Way is one more celestial phenomenon that, like the Sun and the stars, is associated with Nut in her role as the sky. Second, Nut's body is decorated with stars in only a quarter of the vignettes. If we associate Nut's naked and star-studded forms with the day and night sky, respectively, we would expect to see stars in half of the vignettes. This null hypothesis is rejected at $>6\sigma$ statistical significance. For whatever reason, it appears that the Egyptians of the 21st/22nd Dynasties preferred the day sky over the night sky. Finally, I discuss the interplay between Nut's cosmological vignette and full-length portraits inside coffins from the New Kingdom to the Roman Period in light of Nut's combined cosmological and eschatological roles as an embodiment of the coffin.
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