{"title":"愤怒的政治:殖民时期爱尔兰的暴力、治安和档案","authors":"Nicholas Sprenger","doi":"10.1017/jbr.2024.115","DOIUrl":null,"url":null,"abstract":"During the nineteenth century in Ireland, agents of the colonial state like the police, along with the administrators that they served, forged an association between political motivations and Irish agrarian violence. They did so not only through the policing of Irish violence, but through the methods used by the colonial state to categorize, process, record, and archive it. Central to this endeavor was the category of “outrage.” Using this category, the Irish Constabulary created a record that impressed an association between Irish violence or criminality and political resistance. Because the British colonial state had control over the production of the archive, it also dictated the metanarratives present in this “archive of outrages” that gave form and function to the colonial state's fears that Irish violence represented a budding insurrection or a desire to fracture the Union. By perpetuating this logic in document and archival form, Dublin Castle (the seat of the British government's administration of Ireland) helped create the very demon that it sought to exorcise—that of Irish nationalist action and sentiment.","PeriodicalId":46738,"journal":{"name":"Journal of British Studies","volume":null,"pages":null},"PeriodicalIF":0.7000,"publicationDate":"2024-09-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Politics of Outrage: Violence, Policing, and the Archive in Colonial Ireland\",\"authors\":\"Nicholas Sprenger\",\"doi\":\"10.1017/jbr.2024.115\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"During the nineteenth century in Ireland, agents of the colonial state like the police, along with the administrators that they served, forged an association between political motivations and Irish agrarian violence. They did so not only through the policing of Irish violence, but through the methods used by the colonial state to categorize, process, record, and archive it. Central to this endeavor was the category of “outrage.” Using this category, the Irish Constabulary created a record that impressed an association between Irish violence or criminality and political resistance. Because the British colonial state had control over the production of the archive, it also dictated the metanarratives present in this “archive of outrages” that gave form and function to the colonial state's fears that Irish violence represented a budding insurrection or a desire to fracture the Union. By perpetuating this logic in document and archival form, Dublin Castle (the seat of the British government's administration of Ireland) helped create the very demon that it sought to exorcise—that of Irish nationalist action and sentiment.\",\"PeriodicalId\":46738,\"journal\":{\"name\":\"Journal of British Studies\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.7000,\"publicationDate\":\"2024-09-20\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of British Studies\",\"FirstCategoryId\":\"98\",\"ListUrlMain\":\"https://doi.org/10.1017/jbr.2024.115\",\"RegionNum\":1,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"HISTORY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of British Studies","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1017/jbr.2024.115","RegionNum":1,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"HISTORY","Score":null,"Total":0}
The Politics of Outrage: Violence, Policing, and the Archive in Colonial Ireland
During the nineteenth century in Ireland, agents of the colonial state like the police, along with the administrators that they served, forged an association between political motivations and Irish agrarian violence. They did so not only through the policing of Irish violence, but through the methods used by the colonial state to categorize, process, record, and archive it. Central to this endeavor was the category of “outrage.” Using this category, the Irish Constabulary created a record that impressed an association between Irish violence or criminality and political resistance. Because the British colonial state had control over the production of the archive, it also dictated the metanarratives present in this “archive of outrages” that gave form and function to the colonial state's fears that Irish violence represented a budding insurrection or a desire to fracture the Union. By perpetuating this logic in document and archival form, Dublin Castle (the seat of the British government's administration of Ireland) helped create the very demon that it sought to exorcise—that of Irish nationalist action and sentiment.
期刊介绍:
The official publication of the North American Conference on British Studies (NACBS), the Journal of British Studies, has positioned itself as the critical resource for scholars of British culture from the Middle Ages through the present. Drawing on both established and emerging approaches, JBS presents scholarly articles and books reviews from renowned international authors who share their ideas on British society, politics, law, economics, and the arts. In 2005 (Vol. 44), the journal merged with the NACBS publication Albion, creating one journal for NACBS membership. The NACBS also sponsors an annual conference , as well as several academic prizes, graduate fellowships, and undergraduate essay contests .