人工智能,工具还是作者?后人类女性主义视角下人工智能在创作实践中的作用

Rafaela Nunes
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摘要

对于使用人工智能生成模型的创作实践,例如 ChatGPT、Midjourney、DALL-E 和 Stable Diffusion,人们一直在关注代理、责任和作者身份的问题。辩论似乎围绕着这样一个问题展开:生成式人工智能是否只是一种工具,或者它是否真的能够像人工智能生成作品的立法会让人相信的那样,与人类作者合作、替代或干预人类作者。由于其人类中心主义的出发点简化了非人类的代理权问题,这些问题似乎被认为是理所当然的。在本文中,我们将通过后人类女性主义视角,特别是卡伦-巴拉德(Karen Barad)的行动现实主义和内部行动框架来重构这一问题。这样,我们就能揭示创意实践中纠缠不清的机构,尤其是在与人工智能合作的案例中。这项研究是通过跨媒体艺术实践衍射实现的,在这种实践中,作品的变异通过其在不同媒体中的移植,特别是通过生成方法(包括基因人工智能)来探索。通过这些视角,我们发现工具/合作者被嫁接到女性主义后人类理论积极审视的二元对立上,如人类/非人类、主体/客体、制造者/被制造者、自然/文化。由此,我们得出结论,在使用基因人工智能的创作实践中,就像在任何创作实践中一样,与艺术作品相关的各种实体都在不断地划定和重新划定界限,并通过艺术创作重塑自身。
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AI, a Tool or an Author? A Posthuman Feminist Perspective on the Agency of Gen-AI in Creative Practices

There have been raising concerns about questions of agency, accountability and authorship with creative practices that use generative artificial intelligence models, for instance, ChatGPT, Midjourney, DALL-E and Stable Diffusion. The debate seems to revolve around the question of if generative artificial intelligence is just a tool or if it is actually able to collaborate, substitute or interfere with human authorship, as legislation of AI-generated work would make one believe. These questions appear to take much for granted due to their anthropocentric starting points that simplify questions of agency in nonhumans. In this paper, we reframe this problematic through a posthuman feminist perspective, particularly from the framework of agential realism and intra-action of Karen Barad. This way, we are able to reveal the entangled agencies within creative practices, particularly for the case of collaborative work with gen-AI. This research is diffractively realized through a transmedia artistic practice in which the mutation of the work is explored by its transposition through different media, particularly through generative methodologies, including gen-AI. Through these perspectives, it is found that the tool/collaborator is grafted upon the dualisms that have been actively scrutinized by feminist posthuman theory, like human/nonhuman, subject/object, maker/made, natural/cultural. From this, we conclude that in a creative practice with gen-AI, as in any creative practice, the various entities implicated in the mattering of the artwork are constantly drawing and redrawing boundaries, and reshaping themselves through the creation of art.

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