古代阿兹台克人头骨哨音的心理声学和考古声学性质

Sascha Frühholz, Pablo Rodriguez, Mathilde Bonard, Florence Steiner, Marine Bobin
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摘要

许多古代文化都将音乐工具用于社会和仪式程序,阿兹台克人的骷髅哨就是后古典中美洲的一个独特范例。骷髅哨声可以发出较柔和的嘶嘶声,也可以发出令人厌恶的尖叫声,这些声音对阿兹特克人的祭祀活动、神话象征或战争恐吓都有潜在意义。然而,任何理论都缺乏可靠的心理声学证据,尤其是人类听众如何对骷髅哨声做出认知和情感反应。通过心理声学聆听和分类实验,我们发现骷髅哨声主要被视为厌恶和可怕的声音,并且具有自然和人工的混合来源。骷髅哨声通过模仿自然和技术产生的其他令人厌恶和惊恐的声音来吸引心理注意。这些声音在心理声学上被归类为声音和尖叫的混合体,但也源自技术机制。通过人类神经影像学研究,我们进一步发现,骷髅口哨声在人类听者的神经听觉系统中具有特定的情感意义解码,并伴随着前脑-岛叶-顶叶大脑系统中的高阶听觉认知和符号评估。因此,骷髅哨声似乎是一种独特的声音工具,对听众具有特定的心理情感效应,阿兹台克人可能利用了骷髅哨声的恐怖和尖叫性质。一系列心理声学和神经影像学研究揭示了阿兹台克人的骷髅哨声对现代听众的影响;这种声音被认为是声音、尖叫和技术的混合体,会引发情感处理。
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Psychoacoustic and Archeoacoustic nature of ancient Aztec skull whistles
Many ancient cultures used musical tools for social and ritual procedures, with the Aztec skull whistle being a unique exemplar from postclassic Mesoamerica. Skull whistles can produce softer hiss-like but also aversive and scream-like sounds that were potentially meaningful either for sacrificial practices, mythological symbolism, or intimidating warfare of the Aztecs. However, solid psychoacoustic evidence for any theory is missing, especially how human listeners cognitively and affectively respond to skull whistle sounds. Using psychoacoustic listening and classification experiments, we show that skull whistle sounds are predominantly perceived as aversive and scary and as having a hybrid natural-artificial origin. Skull whistle sounds attract mental attention by affectively mimicking other aversive and startling sounds produced by nature and technology. They were psychoacoustically classified as a hybrid mix of being voice- and scream-like but also originating from technical mechanisms. Using human neuroimaging, we furthermore found that skull whistle sounds received a specific decoding of the affective significance in the neural auditory system of human listeners, accompanied by higher-order auditory cognition and symbolic evaluations in fronto-insular-parietal brain systems. Skull whistles thus seem unique sound tools with specific psycho-affective effects on listeners, and Aztec communities might have capitalized on the scary and scream-like nature of skull whistles. A series of psychoacoustic and neuroimaging studies reveal the effect that the sound of Aztec skull whistles has on modern listeners; the sound, which is perceived as a mixture of voice-like, scream-like, and technological, triggers affective processing.
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