{"title":"Glaishers 如何描绘雪花。","authors":"Floris Winckel","doi":"10.1017/S0007087424000803","DOIUrl":null,"url":null,"abstract":"<p><p>The Glaisher snowflakes (1855) are amongst the most recognizable images of snow crystals produced in the nineteenth century. Made with the intent of compiling a comprehensive record of snow crystal forms, they also appeared in a variety of print publications, from popular magazines to scientific textbooks, and briefly circulated through various scientific and artistic societies. In a time when reliable images of these small, transparent, ephemeral objects were few and far between, the Glaisher snowflakes were widely praised for both their beauty and their fidelity to nature. But their origin has so far been little examined. This article sheds light on how James and Cecilia Glaisher went about making them, and invites readers to see them through three interconnected perspectives: as products of a domestic environment, as products of a husband-and-wife collaboration, and as products of iterative image making.</p>","PeriodicalId":46655,"journal":{"name":"British Journal for the History of Science","volume":" ","pages":"1-20"},"PeriodicalIF":0.7000,"publicationDate":"2024-11-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"How the Glaishers pictured snowflakes.\",\"authors\":\"Floris Winckel\",\"doi\":\"10.1017/S0007087424000803\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<p><p>The Glaisher snowflakes (1855) are amongst the most recognizable images of snow crystals produced in the nineteenth century. Made with the intent of compiling a comprehensive record of snow crystal forms, they also appeared in a variety of print publications, from popular magazines to scientific textbooks, and briefly circulated through various scientific and artistic societies. In a time when reliable images of these small, transparent, ephemeral objects were few and far between, the Glaisher snowflakes were widely praised for both their beauty and their fidelity to nature. But their origin has so far been little examined. This article sheds light on how James and Cecilia Glaisher went about making them, and invites readers to see them through three interconnected perspectives: as products of a domestic environment, as products of a husband-and-wife collaboration, and as products of iterative image making.</p>\",\"PeriodicalId\":46655,\"journal\":{\"name\":\"British Journal for the History of Science\",\"volume\":\" \",\"pages\":\"1-20\"},\"PeriodicalIF\":0.7000,\"publicationDate\":\"2024-11-19\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"British Journal for the History of Science\",\"FirstCategoryId\":\"98\",\"ListUrlMain\":\"https://doi.org/10.1017/S0007087424000803\",\"RegionNum\":1,\"RegionCategory\":\"哲学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"HISTORY & PHILOSOPHY OF SCIENCE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"British Journal for the History of Science","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1017/S0007087424000803","RegionNum":1,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"HISTORY & PHILOSOPHY OF SCIENCE","Score":null,"Total":0}
The Glaisher snowflakes (1855) are amongst the most recognizable images of snow crystals produced in the nineteenth century. Made with the intent of compiling a comprehensive record of snow crystal forms, they also appeared in a variety of print publications, from popular magazines to scientific textbooks, and briefly circulated through various scientific and artistic societies. In a time when reliable images of these small, transparent, ephemeral objects were few and far between, the Glaisher snowflakes were widely praised for both their beauty and their fidelity to nature. But their origin has so far been little examined. This article sheds light on how James and Cecilia Glaisher went about making them, and invites readers to see them through three interconnected perspectives: as products of a domestic environment, as products of a husband-and-wife collaboration, and as products of iterative image making.
期刊介绍:
This leading international journal publishes scholarly papers and review articles on all aspects of the history of science. History of science is interpreted widely to include medicine, technology and social studies of science. BJHS papers make important and lively contributions to scholarship and the journal has been an essential library resource for more than thirty years. It is also used extensively by historians and scholars in related fields. A substantial book review section is a central feature. There are four issues a year, comprising an annual volume of over 600 pages. Published for the British Society for the History of Science