Alessandro Zucchiatti, Stefano Roascio, Inmaculada Donate Carretero, Paolo Antonino Maria Triolo
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引用次数: 0
摘要
意大利布雷西亚的圣朱利亚建筑群是一个伟大的建筑和考古遗址,其中圣萨尔瓦多教堂是一个具有象征意义的纪念碑。这项研究是在教堂的地下室进行的,利用扫描电子显微镜和拉曼光谱对绘画材料进行了结构和成分分析,并对绘画材料进行了非破坏性的粒子诱导 X 射线发射(PIXE)检查。这些分析为正确鉴定绘画调色板提供了新的决定性数据。我们还增加了一些电磁波谱带的摄影记录。通过对所有数据的审查及其互补性,我们对墓室装饰所使用的绘画技术有了更深入的了解。这项工作整合了对地下室进行的考古研究,并与这些研究以及同时期古迹的数据进行比较,证实了圣萨尔瓦多教堂使用的是典型的朗格巴德时期的产品和技术。
PIXE, SEM and RAMAN analysis of pictorial materials from the VIII century crypt of San Salvatore, Brescia (Italy)
The complex of Santa Giulia of Brescia (Italy) is a great and extensively studied architectural and archaeological site, of which the church of San Salvatore is an emblematic monument. This study, conducted in the crypt of the church, implements what was published from non-destructive particle induced x-ray emission (PIXE) examination of the painting materials with structural and compositional analyses by Scanning Electron Microscopy and Raman spectroscopy. These analyses produced new and decisive data for a correct identification of the pictorial palette. We also added a photographic documentation in a few bands of the electromagnetic spectrum. The review of all data and their complementarity has allowed a more sound insight into the pictorial techniques used for the crypt’s decoration. This work integrates the archaeological studies conducted on the crypt and, together with them and in comparison with data from coeval monuments, confirms in the church of San Salvatore the use of products and techniques typical of the Longobard Period.
期刊介绍:
The aims of this peer-reviewed online journal are to distribute and archive all relevant material required to document, assess, validate and reconstruct in detail the body of knowledge in the physical and related sciences.
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