文化政策中的社会-地域不平等问题:通过巴塞罗那政策揭示政策框架(2019-2023)

IF 2 2区 社会学 0 LITERATURE Poetics Pub Date : 2024-12-06 DOI:10.1016/j.poetic.2024.101963
Mariano Martín Zamorano Barrios, Nicolás Barbieri Muttis
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引用次数: 0

摘要

本文探讨了文化政策框架如何体现和塑造城市环境中文化参与的不平等。它探讨了历史和当代的政策框架,审视了文化民主化和交叉公平的各种方法。从这个角度出发,我们研究了巴塞罗那市议会提出的文化政策是如何在城市文化参与和文化获取方面形成不平等的。本研究采用巴塞罗那文化政策文件的专题分析和相关利益相关者访谈来评估这些框架的问题定义、预测和集体行动组成部分。在此基础上,本文确定了三个主要政策框架:构成性、参与性和交叉性,并将其与2019年至2023年(包括covid -19之前和之后)在该市实施的政策进行了对比。研究结果表明,尽管地方政府的政策框架与多维参与的战略和叙事以及支持交叉的公平框架大致一致,但它也在特定的社会分层和文化政策设计的构成要素之间嵌入了紧张关系。
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The problem of socio-territorial inequality in cultural policies: Unveiling policy frames through Barcelona policies (2019–2023)
This article examines how cultural policy frames embody and shape inequalities in cultural participation within urban settings. It explores both historical and contemporary policy frames, scrutinizing various approaches to cultural democratization and intersectional equity. From this perspective, we study how the cultural policies advanced by the Barcelona City Council framed inequalities in urban cultural participation and access to culture. The research employs thematic analysis of Barcelona's cultural policy documents and relevant stakeholder interviews to evaluate these frames' problem definition, prognosis, and collective action components. On this basis, the article identifies three main policy frames: constitutive, participatory, and intersectional, which are contrasted with policies implemented in the city from 2019 to 2023, including both pre- and post-COVID-19. The results reveal that although the local administration's policy frame broadly aligns with strategies and narratives of multidimensional participation and pro-intersectional equity frames, it also embeds tensions within and between specific social stratification and constitutive components of cultural policy design.
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来源期刊
Poetics
Poetics Multiple-
CiteScore
4.00
自引率
16.00%
发文量
77
期刊介绍: Poetics is an interdisciplinary journal of theoretical and empirical research on culture, the media and the arts. Particularly welcome are papers that make an original contribution to the major disciplines - sociology, psychology, media and communication studies, and economics - within which promising lines of research on culture, media and the arts have been developed.
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