{"title":"犯罪与赦免:18世纪法国的资产阶级正义，性别化的美德，以及犯罪化的他者。","authors":"M L Bellhouse","doi":"10.1086/495400","DOIUrl":null,"url":null,"abstract":"amously analyzed by Michel Foucault in Discipline and Punish, the restructuring of the socio-symbolic economy of illegalities was a crucial element in the rise of the middle classes in eighteenth-century France (1979). In this essay I explore how art practices participated in this bourgeois \"redistribution of illegalities\" (Foucault 1979, 87). In my view, the cultural work of recoding criminality in France may be usefully understood as part of a larger cultural \"project\" of middle-class self-representation.' As","PeriodicalId":51382,"journal":{"name":"Signs","volume":"24 4","pages":"959-1010"},"PeriodicalIF":1.7000,"publicationDate":"1999-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"3","resultStr":"{\"title\":\"Crimes and pardons: bourgeois justice, gendered virtue, and the criminalized other in eighteenth-century France.\",\"authors\":\"M L Bellhouse\",\"doi\":\"10.1086/495400\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"amously analyzed by Michel Foucault in Discipline and Punish, the restructuring of the socio-symbolic economy of illegalities was a crucial element in the rise of the middle classes in eighteenth-century France (1979). In this essay I explore how art practices participated in this bourgeois \\\"redistribution of illegalities\\\" (Foucault 1979, 87). In my view, the cultural work of recoding criminality in France may be usefully understood as part of a larger cultural \\\"project\\\" of middle-class self-representation.' As\",\"PeriodicalId\":51382,\"journal\":{\"name\":\"Signs\",\"volume\":\"24 4\",\"pages\":\"959-1010\"},\"PeriodicalIF\":1.7000,\"publicationDate\":\"1999-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"3\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Signs\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://doi.org/10.1086/495400\",\"RegionNum\":2,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"WOMENS STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Signs","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1086/495400","RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"WOMENS STUDIES","Score":null,"Total":0}
Crimes and pardons: bourgeois justice, gendered virtue, and the criminalized other in eighteenth-century France.
amously analyzed by Michel Foucault in Discipline and Punish, the restructuring of the socio-symbolic economy of illegalities was a crucial element in the rise of the middle classes in eighteenth-century France (1979). In this essay I explore how art practices participated in this bourgeois "redistribution of illegalities" (Foucault 1979, 87). In my view, the cultural work of recoding criminality in France may be usefully understood as part of a larger cultural "project" of middle-class self-representation.' As
期刊介绍：
Recognized as the leading international journal in women"s studies, Signs has since 1975 been at the forefront of new directions in feminist scholarship. Signs publishes pathbreaking articles of interdisciplinary interest addressing gender, race, culture, class, nation, and/or sexuality either as central focuses or as constitutive analytics; symposia engaging comparative, interdisciplinary perspectives from around the globe to analyze concepts and topics of import to feminist scholarship; retrospectives that track the growth and development of feminist scholarship, note transformations in key concepts and methodologies, and construct genealogies of feminist inquiry; and new directions essays, which provide an overview of the main themes, controversies.
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