“美貌不能煮锅”:爱尔兰-纽芬兰女性是养鱼的妻子。

IF 1.7 2区 社会学 Q2 WOMENS STUDIES Signs Pub Date : 2012-01-01 DOI:10.1086/662687
Willeen Keough
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引用次数: 4

摘要

本文通过考察18世纪末至20世纪初阿瓦隆半岛南部渔业家庭中的女性,探讨了对纽芬兰海上女性的历史理解。它并没有讲任何通俗意义上的鱼妇,因为这些女人不卖鱼;相反,他们生产咸鱼供市场使用。虽然中产阶级的观察家可能认为他们粗鲁而大胆,但在他们自己的家庭和渔业社区,他们被视为不可或缺的伙伴,对家庭经济做出了同样的贡献。在两性分工下,男性和女性都承担着重要和互补的任务,纽芬兰的养鱼(生产)妻子在公共生产场所从事繁重的体力劳动。这大大有助于将“妇女”塑造为必不可少的工人,这反过来对她们在渔业社区内的地位和权威产生更广泛的影响。从20世纪50年代开始,随着渔业从家庭生产转变为现代化的、男性化的产业,渔业(生产)妻子的参与发生了重大变化。然而,传统家庭生产中鱼(生产)妻子的标志性形象在21世纪初仍然没有受到破坏。
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"Good looks don’t boil the pot": Irish-Newfoundland women as fish(-producing) wives.

This article explores the historical understanding of maritime womanhood in Newfoundland by examining women in fishing families along the southern Avalon Peninsula from the late eighteenth to the early twentieth centuries. It does not talk about fishwives in any popular sense of the word, for these women did not market fish; rather, they produced salt fish for market. And while middle-class observers may have perceived them as coarse and bold, within their own families and fishing communities they were seen as essential partners who contributed equally to family economies. Within a sexual division of labor that assigned vital and complementary tasks to both men and women, Newfoundland fish(-producing) wives carried out hard physical labor at public sites of production. This contributed significantly to the construction of “woman” as essential worker, which in turn had broader repercussions for their status and authority within fishing communities. The participation of fish(-producing) wives changed significantly from the 1950s onward, as the fishery moved from household production to a modernized, and discursively masculinized, industry. Yet the iconic image of the fish(-producing) wife in traditional household production remains undisrupted in the early twenty-first century.

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来源期刊
Signs
Signs WOMENS STUDIES-
CiteScore
3.30
自引率
0.00%
发文量
69
期刊介绍: Recognized as the leading international journal in women"s studies, Signs has since 1975 been at the forefront of new directions in feminist scholarship. Signs publishes pathbreaking articles of interdisciplinary interest addressing gender, race, culture, class, nation, and/or sexuality either as central focuses or as constitutive analytics; symposia engaging comparative, interdisciplinary perspectives from around the globe to analyze concepts and topics of import to feminist scholarship; retrospectives that track the growth and development of feminist scholarship, note transformations in key concepts and methodologies, and construct genealogies of feminist inquiry; and new directions essays, which provide an overview of the main themes, controversies.
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