城市/图像:将阿姆斯特丹概念化为虚拟效果图中的城市环境

IF 1.9 2区 社会学 Q1 CULTURAL STUDIES European Journal of Cultural Studies Pub Date : 2023-07-25 DOI:10.1177/13675494231186279
Linda Kopitz
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引用次数: 0

摘要

本文提出,投机建筑项目的虚拟效果图为通过在城市内生产自然来重新构想可持续城市生活提供了一个关键的切入点。通过对荷兰阿姆斯特丹及其周边地区“可持续”建筑项目的案例研究,我旨在追踪虚拟和现实环境在想象绿色未来中的纠缠。詹姆斯·布里德尔(James Bridle)利用“渲染幽灵”的概念,将居住在虚拟渲染中的人们置于“现在和未来、真实和虚拟、物理和数字之间的极限空间”(2013)。同样,可持续建筑的虚拟效果图中对自然的想象也处于两者之间,是一种不断发展的状态。虚拟效果图不仅仅是将它们各自的建筑设计可视化,还将这些设计可视化到特定的空间、特定的环境中,以及这些建筑的空间存在如何改变环境。从计算机生成的图像到虚拟渲染和增强现实应用程序,这些非物质元素作为研究对象之所以特别富有成效,是因为它们所创造的氛围的主观性质,以及对可持续未来的大气想象,嵌入了Degen等人所称的“谈判领域”,紧张和矛盾心理”(2017)。虚拟渲染在他们对城市环境的想象中是大气的,在过去、现在和未来之间的时间性是偶然的,在特定和一般环境中的空间基础是模糊的,可以说允许参与替代城市未来的可能性。
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Urban/image: Conceptualizing Amsterdam as urban environment in virtual renderings
This article proposes that virtual renderings of speculative architectural projects provide a crucial entry point into the reimagination of sustainable urban life through the production of nature(s) within the city. Drawing on case studies of ‘sustainable’ building projects in and around Amsterdam, The Netherlands, I aim to trace the entanglement of virtual and real environments in imagining green futures. With the concept of the ‘render ghost’, James Bridle situates the people inhabiting virtual renderings ‘in the liminal space between the present and the future, the real and the virtual, the physical and the digital’ (2013). Similarly, the imaginations of nature within virtual renderings of sustainable buildings are situated at a point of in-between, a constant state of becoming. More than just visualizing their respective architectural design, the virtual renderings visualize these designs in a specific space, a specific environment – and how that environment could and would change through the spatial presence of these buildings. What makes these immaterial elements – ranging from computer-generated images to virtual renderings and augmented reality applications – particularly productive as research objects is the subjective nature of the atmosphere created in and through them, an atmospheric imagination of sustainable futures embedded in what Degen et al. call a ‘field of negotiation, tension and ambivalence’ (2017). Atmospheric in their imagination of urban environments, contingent in their temporality between the past, the present and the future, and ambiguous in their spatial grounding in simultaneously specific and generic surroundings, virtual renderings arguably allow for an engagement with the possibilities of alternative urban futures.
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来源期刊
CiteScore
5.50
自引率
4.20%
发文量
69
期刊介绍: European Journal of Cultural Studies is a major international, peer-reviewed journal founded in Europe and edited from Finland, the Netherlands, the UK, the United States and New Zealand. The journal promotes a conception of cultural studies rooted in lived experience. It adopts a broad-ranging view of cultural studies, charting new questions and new research, and mapping the transformation of cultural studies in the years to come. The journal publishes well theorized empirically grounded work from a variety of locations and disciplinary backgrounds. It engages in critical discussions on power relations concerning gender, class, sexual preference, ethnicity and other macro or micro sites of political struggle.
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