《头号玩家》小说的道具形态分析:科幻小说定义的尝试

Emil eka Putra
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引用次数: 0

摘要

作为一种类型,科幻小说仍处于定义阶段。这是因为科幻小说的本质是采用其他小说子类型的故事大纲。这种故事大纲的采用导致了各种各样的故事被认为是科幻小说。在各种各样的科幻小说中,科幻小说是否有自己的叙事是在讨论将科幻小说定义为一种体裁时出现的问题之一。本研究旨在为定义科幻小说提供额外的话语,特别是与这个问题相关的话语,并确定童话与科幻小说的关系。本文以科幻小说《头号玩家》(Ready Player One, RPO)的叙事结构为研究对象。本研究采用Propp 's fairy - tale形态学理论。借鉴Propp绘制俄罗斯民间故事形态图的方法,提取RPO故事的功能结构,按其动作进行分类,并安排成故事方案。分析结果表明,从结构上看,《RPO》的叙事结构除了若干功能序列的交换外,并无特殊之处;另一方面,这也揭示了童话与科幻小说RPO在叙事结构上的相似之处,并将其解释为童话与科幻小说RPO之间的一种联系形式。
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Propp morphological analysis on Ready Player One novel: An attempt at defining sci-fi fiction
As a genre, science fiction is still in its defining stage. This happens because of the nature of science fiction which adopts story outlines from other fiction subgenres. The adoption of this story outline result in wide variations of stories that are considered as science fiction. In the midst of this wide variety of science fiction, the question of whether science fiction has its own narrative is one of the questions that arise in the discussion of defining science fiction as a genre. This study is aimed at providing additional discourse at defining science fiction, especially discourse related to this question and identifying the relationship between fairy tales and science fiction. The study was conducted on the narrative structure of the science fiction novel Ready Player One (RPO). The study was conducted using the Propp’s fairy tale morphology theory. By adapting the method used by Propp in mapping the morphology of Russian folk tales, the functional structure of the RPO story is extracted, classified by its moves and arranged in a story scheme. The result of the analysis on the one hand shows that structurally there is no peculiarity of the narrative structure of RPO, excepts the exchange of sequences of several functions. On the other hand, this reveals the similarities in the narrative structure between fairy tales and science fiction RPO which is then interpreted as a form of connection between fairy tales and RPO as a science fiction.
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