修复艺术:FX Harsono作品中的暴力命名

IF 0.4 4区 社会学 0 ART Journal of Visual Culture Pub Date : 2022-04-01 DOI:10.1177/14704129221088292
K. Strassler
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引用次数: 1

摘要

自1998年印尼独裁统治结束以及随之而来的反华暴力事件以来,艺术家FX Harsono创作了一系列作品,将这个名字称为种族化的国家暴力、文化认同、抹去、恢复和修复的场所。通过对哈索诺作品的考察,本文问道:在有罪不罚、遗忘和持续歧视的背景下,艺术如何提出修复性的愿景?在暴力和损失的背景下,华裔名字的声音和视觉品质是如何体现出坚韧和生存的情感诉求的?哈索诺的作品并没有专注于揭露过去的伤害或要求赔偿,而是展现了暴力事件发生后,华人社区内部进行的安静、局部和持续的修复工作,并将这些做法作为面向更广泛印尼社区的修复艺术的习语。
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The art of repair: naming violence in the work of FX Harsono
Since the end of authoritarian rule in Indonesia in 1998 and the anti-Chinese violence that attended it, the artist FX Harsono has created a series of works addressing the name as a site of racialized state violence, cultural identity, erasure, recovery, and repair. Through an examination of Harsono’s works, this article asks: How can art put forward a reparative vision in a context of impunity, forgetting, and ongoing discrimination? How do the sonic and visual qualities of ethnic Chinese names register affective claims of resilience and survival against a backdrop of violence and loss? Rather than focus on exposing past harms or demanding redress, Harsono’s artworks render visible the quiet, partial, and persistent repair-work undertaken within the ethnic Chinese community in the aftermath of violence, and use these practices as an idiom for an art of repair addressed to the broader Indonesian community.
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期刊介绍: journal of visual culture is essential reading for academics, researchers and students engaged with the visual within the fields and disciplines of: · film, media and television studies · art, design, fashion and architecture history ·visual culture ·cultural studies and critical theory · gender studies and queer studies · ethnic studies and critical race studies·philosophy and aesthetics ·photography, new media and electronic imaging ·critical sociology ·history ·geography/urban studies ·comparative literature and romance languages ·the history and philosophy of science, technology and medicine
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