Rāma叙事的口头和视觉文本

Q2 Arts and Humanities Cracow Indological Studies Pub Date : 2022-12-19 DOI:10.12797/cis.24.2022.02.01
J. Brockington
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引用次数: 0

摘要

本文探讨了我们所说的文本的含义:它是口头的(无论是书面的还是口头的),精神的,视觉的,还是两者的结合?所有这些形式都是在以Rāmāyaṇa传统为中心的各种艺术表现形式中发现的。我从浮雕开始说起,其中一些比现存的手稿还要早几个世纪。在对Vālmīki Rāmāyaṇa文本的演变进行简短的评论之后,我依次调查了一些有威望的插图Vālmīki Rāmāyaṇa手稿,不太著名的Vālmīki Rāmāyaṇa手稿,Rāmcaritmānas和其他方言版本的插图手稿,以及说明Rāma故事的集或系列绘画(包括一些单一的绘画),显示了它随着时间的推移所采取的各种形式,以及它所经历的一些改编。
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Verbal and Visual Texts of the Rāma Narrative
This article examines what we mean by a text: is it verbal (whether written or oral), mental, visual, or a combination? All of these forms are found within the various types of artistic expression centred on the Rāmāyaṇa tradition. I start with the relief sculptures, some of which are centuries early than any extant manuscripts. After a brief comment on the evolution of the Vālmīki Rāmāyaṇa text, I then survey in turn some prestige illustrated Vālmīki Rāmāyaṇa manuscripts, less notable Vālmīki Rāmāyaṇa manuscripts, illustrated manuscripts of the Rāmcaritmānas and other vernacular versions, and sets or series of paintings illustrating the Rāma story (including some single paintings), showing the diverse range of forms it has taken over time and something of the adaptations it has undergone.
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来源期刊
Cracow Indological Studies
Cracow Indological Studies Arts and Humanities-Literature and Literary Theory
CiteScore
0.30
自引率
0.00%
发文量
9
期刊最新文献
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