Spirited away: Race, slavery and childhood in early modern England

This essay explores the insidious but persistent desire to affix whiteness to modes of bondage and to argue for an original ‘white slavery’ located in early modern forms of traffic, indenture and forced transport. This essay aims to recover the genealogy of this belief, beginning with one of its conceptual origins: the practice of ‘spiriting’ in the seventeenth century. Reading accounts of ‘spiriting’, I firstly trace the narrative genealogies of English bondage to argue that consent emerges as a racialised rubric. Secondly, I think in particular about the representation of (very different kinds of) spirits in contemporary literary and cultural texts, including The Tempest, to suggest that even as they engage and anticipate the practice of ‘spiriting’, they also strategically elide their own histories of the traffic and transport of non-white bodies. As one early modern understanding of ‘spiriting’ specifically comes to associate the practice with the capture and bondage of children, the nexus of slavery, race and children emerges as particularly fraught. If ‘white slavery’ denotes the limit case for the legibility of slavery, the photographs of ‘white’ enslaved children later circulated by white abolitionists in the nineteenth century to invoke sympathy for their cause played on the fundamental irreconcilability of ‘whiteness’ and bondage even as they re-asserted the imbrication of slavery and sanguinity. This study attends to the trajectory of discourses of slavery written on and in the body to explore the histories of both a contemporary and an insistently current investment in frameworks of ‘white slavery’, as it attempts to discover the early modern frameworks for the legibility of race and slavery as they were co-articulated ‘before’ the supposed ‘emergence’ of either.