不在这里,不在此时:在海湾重新塑造新加坡的华人侨民

IF 0.4 2区 文学 0 LITERATURE ARIEL-A REVIEW OF INTERNATIONAL ENGLISH LITERATURE Pub Date : 2021-09-03 DOI:10.1353/ari.2021.0028
Hui Min Annabeth Leow
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引用次数: 1

摘要

摘要:通过对谭绮丽(Claire Tham)小说《入口》(2013)中人物关系和遭遇的考察,我认为种族认同和民族进步的国家叙事可能会让新加坡华人对一个不确定位置的文化腹地产生怀旧情绪,从而使他们失去一种乡愁感。我的分析解决了这些对象的阶级和语言身份的异质性,纠正了新加坡华人事实上是全球华人侨民的普遍误解。相反,我的阅读以新加坡的祖国为背景,探索他们对社会和空间元素的态度,这些元素产生了一种文化疏离感,挑战了他们的民族归属感。通过这种方式,我断言不断重塑自我的压力可以将新加坡华人从他们的精神和物质景观中解放出来,特别是在最近来自中国的移民以及历史和正在进行的城市重建中。这个重塑的过程导致了一种怀旧而又焦虑的主体性,角色和评论家可能会将其与全球华人侨民的身份混淆。
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Not Here, Not Now: Remaking Singapore's Chinese Diaspora in The Inlet
Abstract:Through an examination of characters' relationships and encounters in Claire Tham's novel The Inlet (2013), I argue that state narratives of racial identity and national progress may dislocate Singaporean Chinese subjects from a sense of homeliness by engendering nostalgia for an uncertainly located cultural hinterland. My analysis, which addresses the heterogeneity of class and linguistic identities among these subjects, corrects the common misidentification of the Chinese in Singapore as de facto members of a universal Chinese diaspora. Instead, my reading grounds characters in the homeland of Singapore but explores their attitudes toward social and spatial elements that produce a feeling of cultural alienation and challenge their sense of national belonging. In this way, I assert that the pressure to constantly reinvent themselves can unmoor Singaporean Chinese from their psychic and physical landscape, especially amid recent immigration from China as well as historical and ongoing urban redevelopment. This process of reinvention leads to a nostalgic yet anxious subjectivity that characters—and critics—may confuse with belonging to a global Chinese diaspora.
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CiteScore
0.70
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发文量
41
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