{"title":"疫情：重塑疫情中的表现","authors":"A. B.","doi":"10.1353/sss.2021.a845567","DOIUrl":null,"url":null,"abstract":"Abstract:Faced with creative crisis, stories change form. For this storytelling performer, losing the stage, collaborators, and income means turning inward and drawing stories out. The public/private divide collapses in the pandemonium of pandemic parenting, mental health crises, job loss, health care, and desperately trying to finish grad school. Moving from stage to page, this article argues for the value of comics as a means of showing and telling stories when the venues and opportunities are limited.","PeriodicalId":39019,"journal":{"name":"Storytelling, Self, Society","volume":"17 1","pages":"10 - 43"},"PeriodicalIF":0.0000,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Pandemonium: Reframing Performance in Pandemic\",\"authors\":\"A. B.\",\"doi\":\"10.1353/sss.2021.a845567\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:Faced with creative crisis, stories change form. For this storytelling performer, losing the stage, collaborators, and income means turning inward and drawing stories out. The public/private divide collapses in the pandemonium of pandemic parenting, mental health crises, job loss, health care, and desperately trying to finish grad school. Moving from stage to page, this article argues for the value of comics as a means of showing and telling stories when the venues and opportunities are limited.\",\"PeriodicalId\":39019,\"journal\":{\"name\":\"Storytelling, Self, Society\",\"volume\":\"17 1\",\"pages\":\"10 - 43\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Storytelling, Self, Society\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/sss.2021.a845567\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Storytelling, Self, Society","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/sss.2021.a845567","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
Abstract:Faced with creative crisis, stories change form. For this storytelling performer, losing the stage, collaborators, and income means turning inward and drawing stories out. The public/private divide collapses in the pandemonium of pandemic parenting, mental health crises, job loss, health care, and desperately trying to finish grad school. Moving from stage to page, this article argues for the value of comics as a means of showing and telling stories when the venues and opportunities are limited.
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