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On Storytelling in Participatory Arts with Young People: The Gaps in the Story, by Catherine Heinemeyer 论年轻人参与艺术中的故事叙述:故事中的空白,凯瑟琳·海因迈耶著
Q1 Arts and Humanities Pub Date : 2022-03-01 DOI: 10.1353/sss.2022.0003
Rachel R Hedman
Storytelling has long been an educational tool. In Storytelling in Participatory Arts with Young People: The Gaps in the Story, Catherine Heinemeyer traces the century-long evolution of “storyknowing,” the way stories become knowledge. Educators, mental health counselors, and storytellers who purposely work with youth see different narrative worlds interweave. Heinemeyer addresses the potential of storytelling with and by adolescents and focuses on the gaps within the traditional triangular relationship between listener, storyteller, and story. These gaps include the happenings and interactions from listener to storyteller, from storyteller to story, and from story to listener. While many of the particular needs of youth have not changed significantly over the decades, Heinemeyer proposes that through social media and accessible technological tools to make, today’s youth have expanded capabilities to tell their stories and to represent themselves to peers and adults.
讲故事一直是一种教育工具。Catherine Heinemeyer在《与年轻人一起参与式艺术中的故事讲述:故事中的差距》一书中追溯了“讲故事”长达一个世纪的演变,即故事成为知识的方式。有意与年轻人合作的教育工作者、心理健康顾问和讲故事的人看到了不同的叙事世界交织在一起。Heinemeyer探讨了青少年讲故事的潜力,并关注听众、讲故事者和故事之间传统三角关系中的差距。这些差距包括从听众到讲故事者、从讲故事者到故事者以及从故事到听众的发生和互动。尽管几十年来,年轻人的许多特殊需求没有发生重大变化,但Heinemeyer建议,通过社交媒体和可访问的技术工具,今天的年轻人已经扩大了讲述自己故事的能力,并向同龄人和成年人展示自己。
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引用次数: 0
Community-Engaged Research and Collective Knowledges: A Photo-Story Project in an Indigenous Mexican Community 社区参与研究和集体知识:墨西哥土著社区的摄影故事项目
Q1 Arts and Humanities Pub Date : 2022-03-01 DOI: 10.1353/sss.2022.0004
Sandra Jasmin Gutiérrez de Jesus
Abstract:Community-engaged research in Indigenous communities constitutes an exercise of self-representation and community empowerment, through which storytelling and photo-story serve as decolonial research methodologies Photo-story may be employed at the individual or collective level, stimulating critical conversations about the past and present-day realities in Indigenous communities In this work, I document a photo-story project in a P'urhépecha community of Michoacán, Mexico The paper engages storytelling as a theoretical and methodological framework and highlights the relevance of photo-story for Indigenous historical research in community spaces Through an analysis of the project I discuss in this work, I argue that photo-story is a powerful methodological tool that enhances storytelling and contributes to the critical development of community-based projects to document, transmit, and preserve Indigenous knowledges.
摘要:土著社区的社区参与研究是一种自我表征和社区赋权的实践,通过这种实践,讲故事和照片故事可以作为非殖民化研究方法。照片故事可以在个人或集体层面上使用,激发关于土著社区过去和现在现实的批判性对话在这项工作中,我记录了米却肯州普赫佩查社区的一个摄影故事项目,墨西哥这篇论文将讲故事作为一个理论和方法框架,并强调了照片故事对社区空间土著历史研究的相关性。通过对我在这项工作中讨论的项目的分析,我认为,照片故事是一种强大的方法论工具,可以增强讲故事的能力,并有助于社区项目的关键发展,以记录、传播和保存土著知识。
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引用次数: 0
Willing to Learn More: Storytelling as Responsive Consulting through the 6-Part-Story Method 愿意了解更多:通过六部分故事的方法讲述故事作为回应性咨询
Q1 Arts and Humanities Pub Date : 2022-03-01 DOI: 10.1353/sss.2022.0006
Warren Linds, Elinor Vettraino, Leah Vineberg
Abstract:This article emerges from the assumption that, as transformative learners, practitioners can use storytelling to work through challenging experiences We used the 6-Part-Story Method (6PSM) to aid in the context of reflective and reflexive practice We explore one student's experience in a master's-level course that introduces, through experiential learning, process consulting to students By using storytelling to explore her work with a client, the practitioner shares how the particular method enabled her to look at her own practice We outline how the 6PSM as a structured storytelling process enables student consultants to reflexively understand the clients they work with and enable them to gain greater professional and personal self-development.
摘要:本文基于这样一种假设,即作为变革性学习者,从业者可以通过讲故事来解决具有挑战性的经验。我们使用六部分故事方法(6PSM)在反思和反思性实践的背景下提供帮助。我们探讨了一位学生在硕士水平课程中的经历,该课程通过体验式学习向学生介绍了过程咨询。我们概述了6PSM作为一个结构化的讲故事过程,如何使学生咨询师能够反射性地了解他们所服务的客户,并使他们能够获得更大的专业和个人自我发展。
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引用次数: 0
We Are Not Always Tellers of Stories: On Things That Bother Me: Death, Freedom, the Self, Etc., by Galen Strawson 《我们并不总是在讲故事:关于困扰我的事情:死亡、自由、自我等》,盖伦·斯特劳森著
Q1 Arts and Humanities Pub Date : 2022-03-01 DOI: 10.1353/sss.2022.0002
Matthew Cheeseman, N. Tanner, S. Spedding
G alen Strawson is best known for his work on free will, particularly the “basic argument,” in which he demonstrates four steps that render free will impossible. Things That Bother Me is a rattle-bag of philosophical essays—many of which have been published before in different formats, or delivered as lectures— that have been edited and tied up into one collection. In it Strawson addresses free will, the future after death, moral responsibility, and the fallacy of the narrative sense of self. He also, intriguingly, eschews the idea that physical science might one day deliver a final explanation of consciousness (and he does this en route to arguing for panpsychism). This might sound like the kind of publication that could sit glowering at you from your bookshelf until one morning, girded with a good night’s sleep and mug of black coffee, you feel brave enough to pit your mind against it. However, Strawson’s concision, wit, and often surprising openness might make you read through in one sitting to the final essay, a vivid and sensual autobiographical
G alen Strawson以其关于自由意志的工作而闻名,尤其是“基本论点”,他在其中展示了使自由意志不可能实现的四个步骤。《困扰我的事》是一本哲学散文集,其中许多以前曾以不同的形式出版,或以讲座的形式发表,经过编辑并装订成一本。斯特劳森在书中谈到了自由意志、死后的未来、道德责任和叙事自我意识的谬误。有趣的是,他也回避了物理科学可能有一天会对意识做出最终解释的想法(他这样做是为了支持泛精神主义)。这听起来像是一本可以坐在书架上怒目而视的出版物,直到有一天早上,你睡了个好觉,喝了一杯黑咖啡,你才觉得自己有足够的勇气去反对它。然而,斯特劳森的简洁、机智和常常令人惊讶的开放性可能会让你一口气读完最后一篇文章,这是一本生动而感性的自传体
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引用次数: 0
Enriching Young People's Deficit-Oriented Personal Stories through Co-construction in Storytelling-Based Research 基于故事的研究中的共同建构——丰富青少年缺失型个人故事
Q1 Arts and Humanities Pub Date : 2022-03-01 DOI: 10.1353/sss.2022.0001
Julie Hyde
Abstract:This article describes an approach to data collection—termed narrative co-construction—developed during a study on the perspectives of young people attending an inner-city school located in Winnipeg, Manitoba It presents a practical method for implementing this process through the combined use of two tools, Journey Mapping and Co-Constructed Tree of Life Mapping A typology of stories (based on the field of narrative therapy) is also presented This work contributes to methodological understandings of storytelling-based research and is particularly relevant to those who, drawing on Freirean philosophy, seek to study both the material and subjective dimensions of phenomena Further, it details an approach for working with young people that helps them identify their own strengths, capacities, resources, and preferred stories of self.
摘要:本文描述了一种数据收集方法,称为叙事共建,是在对曼尼托巴省温尼伯市一所市中心学校的年轻人的观点进行研究时开发的,旅程映射和共同构建的生命树映射还介绍了故事的类型学(基于叙事治疗领域)。这项工作有助于对基于故事的研究的方法论理解,尤其与那些借鉴弗雷昂哲学,寻求研究现象的物质和主观维度的人有关,它详细介绍了与年轻人合作的方法,帮助他们确定自己的优势、能力、资源和喜欢的自我故事。
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引用次数: 0
A Zoom Tetrad: Applying McLuhan's Laws of Media to Video Conferencing Zoom Tetrad:将McLuhan的媒体定律应用于视频会议
Q1 Arts and Humanities Pub Date : 2022-03-01 DOI: 10.1353/sss.2022.0000
S. B. Nelson
Abstract:Based on observations of video conference story slams, this article uses Marshall and Eric McLuhan's "laws of media" to propose a video conference tetrad The article also compares the resulting tetrad to a previous tetrad of video conferencing among mobile knowledge workers The purpose of the analysis is to better understand this medium and how it changes when used in different settings Story slam video conference extends the face and presence, retrieves (brings into new use) text, obsolesces (displaces) in-person performance, and reverses into facelessness and a lack of presence These findings suggest hosts should lean in to the opportunities for connection provided by video conferencing without overextending the medium This tetrad differs from the earlier one, illustrating the agency of humans when interacting with technology.
摘要:本文在对视频会议故事冲击的观察基础上,运用Marshall和Eric McLuhan的“媒体法则”提出了一个视频会议四分体,并将其与之前移动知识工作者中视频会议的四分体进行了比较。分析的目的是为了更好地理解这种媒体及其在不同环境下使用时的变化。这些发现表明,主持人应该利用视频会议提供的联系机会,而不是过度扩展媒介。这四分体与之前的四分体不同,说明了人类在与技术互动时的代理。
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引用次数: 0
Digital Storytelling: Youth's Vision of Beirut's Contested Heritage 数字叙事:青年对贝鲁特有争议遗产的看法
Q1 Arts and Humanities Pub Date : 2022-03-01 DOI: 10.1353/sss.2022.0005
N. Mohareb, G. Selim, Eslam El Samahy
Abstract:This article presents a framework for strengthening the capacity of youth to participate effectively in preserving the heritage of Beirut, Lebanon We facilitated ground-testing methodologies, best practice examples, and new avenues for collaboration that brought education development into play in addition to facilitating a series of capacity-building workshops with the youth that comprised digital data gathering and presentation methods for designing online digital platforms to raise their engagement with and awareness of the city's contested heritage The tool kit provides an opportunity and guidelines for developing an effective participatory approach that enables youth to tell their stories.
摘要:本文提出了一个加强青年有效参与保护黎巴嫩贝鲁特遗产的能力的框架,以及新的合作途径,除了促进与青年人的一系列能力建设研讨会外,还发挥了教育发展的作用,这些研讨会包括设计在线数字平台的数字数据收集和演示方法,以提高他们对城市有争议遗产的参与度和认识制定一种有效的参与方式,使青年能够讲述自己的故事。
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引用次数: 0
The Life/Ways Project: Self-Expression through Digital and Interactive Storytelling 生活/方式项目:通过数字和互动故事表达自我
Q1 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.13110/storselfsoci.15.2.0225
Natalie M. Underberg-Goode, Alexander Boyd
Abstract:In this article we discuss a digital and interactive storytelling project called Life/Ways, involving college students. We consider the design, production, and evaluation of the project, and share insights into successes and challenges related to introducing students to new models of self-expression. We learned useful lessons during the project, including the possibility of introducing students to the basics of digital and interactive story creation in a relatively brief workshop format, and about using nondigital personal storytelling exercises, readings, and techniques as effective bridges to more complex digital design and production techniques. We also noted areas for refinement in future iterations, such as the need to require concrete follow-up after the workshop to ensure students were making appropriate progress.
摘要:在这篇文章中,我们讨论了一个名为“生活/方式”的数字互动讲故事项目,该项目涉及大学生。我们考虑项目的设计、制作和评估,并分享与向学生介绍新的自我表达模式相关的成功和挑战的见解。我们在项目中学到了有用的教训,包括以相对简短的研讨会形式向学生介绍数字和互动故事创作的基础知识,以及使用非数字个人讲故事练习、阅读和技术作为更复杂的数字设计和制作技术的有效桥梁。我们还注意到了未来迭代中需要改进的领域,例如需要在研讨会后进行具体跟进,以确保学生取得适当的进步。
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引用次数: 0
Invisible Breath 隐形呼吸
Q1 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.13110/storselfsoci.15.1.0043
A. Malpass, Elspeth Penny
Abstract:In this article we introduce the creative writing workshop “Dear Breath” and explore how those living with breathlessness tell the story of their breathlessness through letters. We explore what types of character letter writers bestow on breath (as friend, ally, or enemy) and whether they locate the troubling plotline of their breathlessness as a problem in the air or within their body. Starting with the premise that letters are stories, we were interested in how the choice of materials became part of the storytelling. Through creating letters as visual stories, participants discover which type of story they are in (restitution, resolution, or retribution). We explore two thematic storylines: stories that explore the boundaries between breath, body, air, and personhood; and stories that explore the impermanence of the breath as “other” and entreaties for it to stay. We share visual examples of practice.
摘要:在这篇文章中,我们介绍了创意写作研讨会“亲爱的呼吸”,并探讨了那些呼吸困难的人是如何通过信件讲述他们呼吸困难的故事的。我们探讨了写信人赋予呼吸的性格类型(作为朋友、盟友或敌人),以及他们是否将呼吸困难的令人不安的情节定位为空气中或身体内的问题。从信件是故事的前提开始,我们对材料的选择如何成为讲故事的一部分感兴趣。通过将信件创作成视觉故事,参与者可以发现自己所处的故事类型(归还、解决或报复)。我们探索了两个主题故事情节:探索呼吸、身体、空气和人格之间界限的故事;以及探索呼吸作为“他者”的无常性并恳求它留下来的故事。我们分享实践的视觉例子。
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引用次数: 3
Introduction to the Storytelling for Health Special Issue 健康故事特刊简介
Q1 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.13110/storselfsoci.15.1.0001
Emily Underwood-Lee, Prue Thimbleby
Abstract:This special issue of Storytelling, Self, Society emerges from the “Storytelling for Health” conference that took place in Swansea, Wales, in the summer of 2017. In this introduction we will explore the context for the conference and describe some of the key debates that arose out of the conference. We will explore some of the impacts from the conference, which we collected in a modest piece of research afterward. We will also explore how the articles included in this volume continue to expand on some of these debates.
摘要:这期《讲故事,自我,社会》特刊出自2017年夏天在威尔士斯旺西举行的“讲故事促进健康”会议。在这篇引言中,我们将探讨会议的背景,并描述会议引发的一些关键辩论。我们将探讨会议的一些影响,这些影响是我们在随后的一项适度研究中收集的。我们还将探讨本卷中的文章如何继续扩展其中的一些辩论。
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引用次数: 2
期刊
Storytelling, Self, Society
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