{"title":"生活大爆炸","authors":"Kevin Clarke","doi":"10.1017/S1054204323000114","DOIUrl":null,"url":null,"abstract":"By presenting the supposedly “nostalgic” and “traditional” genre operetta as a genderfuck spectacle, without opera singers and with queer icons and dancers instead, “gay Jewish kangaroo” Barrie Kosky has revolutionized popular musical theatre in Berlin and brought operetta back to its pre-1933 roots.","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"67 1","pages":"161 - 182"},"PeriodicalIF":0.4000,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Big Bang Theory\",\"authors\":\"Kevin Clarke\",\"doi\":\"10.1017/S1054204323000114\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"By presenting the supposedly “nostalgic” and “traditional” genre operetta as a genderfuck spectacle, without opera singers and with queer icons and dancers instead, “gay Jewish kangaroo” Barrie Kosky has revolutionized popular musical theatre in Berlin and brought operetta back to its pre-1933 roots.\",\"PeriodicalId\":46402,\"journal\":{\"name\":\"TDR-The Drama Review-The Journal of Performance Studies\",\"volume\":\"67 1\",\"pages\":\"161 - 182\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2023-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"TDR-The Drama Review-The Journal of Performance Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/S1054204323000114\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"THEATER\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"TDR-The Drama Review-The Journal of Performance Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/S1054204323000114","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"THEATER","Score":null,"Total":0}
By presenting the supposedly “nostalgic” and “traditional” genre operetta as a genderfuck spectacle, without opera singers and with queer icons and dancers instead, “gay Jewish kangaroo” Barrie Kosky has revolutionized popular musical theatre in Berlin and brought operetta back to its pre-1933 roots.
期刊介绍：
TDR traces the broad spectrum of performances, studying performances in their aesthetic, social, economic, and political contexts. With an emphasis on experimental, avant-garde, intercultural, and interdisciplinary performance, TDR covers performance art, theatre, dance, music, visual art, popular entertainments, media, sports, rituals, and the performance in and of politics and everyday life. Each fully illustrated issue includes: -Articles on theatre, dance, popular entertainments, rituals, politics, and social life: the whole broad spectrum of performance -Original contributions to performance theory -Editorial comments, critical analysis, and book reviews -Articles by social scientists, cultural commentators, theorists, artists, scholars, and critics -Interviews with performers, choreographers, directors, composers, and performance artists -Texts of performance works -Translations of important new and decisive archival writings on performance
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